Tenochtitlan Toyland

This is one of two proposals I recently submitted for a solo show… boney fingers crossed. The first, The Thinking Reed is pretty much ready to hang; this one resides mostly within my head and deals primarily with perception and the problems that arise from appropriation and misappropriation.

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Tenochtitlan Toyland: Playthings from New Spain

My proposal for “Tenochtitlan Toyland: Playthings from New Spain” is a theatrical concept room, an installation piece that essentially represents a nursery from hell. My concept which employs painted and constructed assemblages, cardboard and papier-mâché figures, marionettes and paintings on paper also incorporate an interactive element in which to engage the gallery viewer.

The nursery in question is that of the Infanta Margaret decorated with imagined booty from New Spain. By utilizing commonly found construction materials, I wish to poke fun at consumerism and the incessant quest for novelty.  To achieve this end I plan to make a plywood Selfie Booth, fashion a series of cardboard jumping wall puppets , even introduce a live performer encased in a walking puppet of my making. There is also a faux didactic element to this installation; I’ve painted a series of watercolor illustrations for an alphabet primer of New Spain that completely misses the mark in comprehending these vanquished people. From encouraging the use of hashtags for my proposed Selfie-booth, to passing out crayons in which to color pastiches of Baroque wall hangings, I wish to engage the viewer, reflect the past and hold up a mirror to the foibles and vanities of our current society.

My work is always narrative based and whether expressed through two dimensional or three dimensional works, I seek to tell universal stories and explore universal truths. With this installation I wish to employ every weapon in the arsenal. Paintings, sculpture and interactive engagement are part of my concept; I wish to create a sense of Gesamtkunstwerk, but instead of a Wagnerian Valhalla, I instead wish to create a dark and funny depiction of our seemingly unquenchable thirst for power and privilege.
Much of this work is still in the conceptual stage, so I have provided preparatory drawings to illustrate my intentions. I have also, when available, enclosed images of completed elements such as marionettes, paper dolls and pages from the aforementioned Primer of New Spain. I have also enclosed an itemized page providing details concerning my concepts and anticipated materials for the elements which make up the whole of Tenochtitlan Toyland; they are numbered to correspond with the images. Concerning which gallery I would prefer I have submitted a scaled rendering of the show situated in the W Gallery; of course that decision is up to the gallery. Given that much of the work is site specific I would appreciate, if I were fortunate enough to be selected, a later date in 2017 for the opening. Given my themes of consumerism and toys, a slot close to Christmas would be devilishly delightful!

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An Itemized List Concerning Tenochtitlan Toyland: Playthings from New Spain

1- “The Rape of Tenochtitlan”, 2016, colored pencil on paper, 18 by 24”.
The initial impetus behind this concept.

2- Pages from my alphabetic primer The Primer of New Spain ; letters A, B, C and D shown. The entire alphabet will represented .
Materials: watercolor on paper.

3- My marionettes of the Hero Twins. These marionettes are part of a body of work that includes other puppets and doll derived from the Popol vuh, that will be incorporated into the concept as a whole.
Materials: Sculpey modeling medium, armature, paint.

4-Part of a collection of paper dolls that I have been working on over the last few years. Some of the dolls are nearly life-sized, some conventionally sized.
Materials: watercolor, graphite, on paper, brads.

5- The Coatlicue Selfie Booth , given that Aztec goddess Coatlicue (and her war god son Huitzilipochtli) is quite a fearsome presence, she is an amusing choice for a selfie cutout . I would actively encourage the hashtag #teotoyland while visitors snap away; both ridiculing social media and exploiting it.
Anticipated materials: self supporting painted plywood cutout.

6- My proposal includes four “jumping jacks”, childish amusements of the Victorians, the difference being, as is the case with this depiction of the rain god Tlaloc,my offerings would be considered inappropriate for the nursery by most sane people. I imagine including three other Aztec gods including the aforementioned war-god Huitzilipochtli. Each will be placed behind a baroque inspired “tapestry”, that with crayons provided near by, I would hope gallery visitors would color in. I imagine an interactive experience, as with the selfie booth.
Anticipated materials: paint, cardboard, string, brads; tapestries, enlarged renderings with crayons provided.

7-The Templo Major, the heart of Tenochtitlan, home to the primary altars of Tlaloc and Huitzilipochtli , scene of countless human sacrifices and terrible battles , could not be a more inappropriate inspiration for a dollhouse; yet I propose just that concept . The installation would include rag dolls of gods, priests and their unfortunate victims. I anticipate quite a few hearts.
Anticipated materials: Painted wood and or papier-mâché construction, lightbulbs, mixed media as yet undetermined.

8- One of the aforementioned rag dolls, in this case, Huitziliopochtli.
Materials: rags, thread, paint.

9- A Meso-american television complete with vignettes from the creation myth , the Popol vuh. It would include the aforementioned marionettes.
Anticipated materials: painted wood and or papier-mâché , lightbulb , mixed media elements as of yet undetermined.

10-A prototype of #9, the Meso-american television.
Materials: painted wood, mixed media.

11- Mictlantecuhtli (Lord of Xibalba) parade marionette. A walking interactive puppet depicting the major god of the underworld . Once again introducing an absurd interactive element into the nursery concept. I hope the performer to be most fetching.
Anticipated materials: chicken wire armature, papier-mache, dowels, string, wire, paint.

12- Schematic of my proposal within the Wubdemann Gallery; drawn 1/4” scale.

 1-Rape of Tenochtitlan
1-Rape of Tenochtitlan
2-detail from Primer of New Spain
2-detail from Primer of New Spain
3-Hero Twin marionettes
3-Hero Twin marionettes
4-Paper-dolls from Xibalba
4-Paper-dolls from Xibalba
5-Selfie Booth
5-Selfie Booth
6- Tlaloc Tapestry design
6- Tlaloc Tapestry design
7-Welcome to the Xibalba Dollhouse
7-Welcome to the Xibalba Dollhouse
8-Huitzilipochtcli Rag-doll
8-Huitzilipochtcli Rag-doll
9-Xibalba Variety Hour
9-Xibalba Variety Hour
10-prototype example
10-prototype example
11-Walking Puppet
11-Walking Puppet
12-Installation Schematic
12-Installation Schematic

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Well, that’s it. I’m not sure which worries me more, being rejected or actually having this proposal accepted and going mad putting it all together! Wish me well please.

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Of Vermin and Fig Leaves

flea w fig

As I attempt to develop some sense of presence of myself as an artist, I find myself turning to social media. Be it Instagram, Facebook, Twitter or this studio journal, I am becoming increasingly aware of what is and what is not appropriate to post. As much of my work depicts nudity, posting full-frontals has the potential of censorship.

 My latest paper doll-jumping jack Self Portrait of the Artist as a Flea is unabashedly nude. The nudity was a big “fuck you”  to the bigots and the nasty folks who hate us , particularly important  after the Orlando massacre. Queers have been treated like vermin for so very long, by fashioning myself as a flea I embrace what they find so vile.

That sort of righteous anger is all well and good but will it work on my Instagram feed?

Hence the fig leaf.

Now for the sans fig leaf.

flea without

Self Portrait of the Artist as a Flea 

2016

pencil and watercolor on paper, brads and string

22″ high by 16″ wide

He is a funny character, when he jumps he twitches awkwardly, I like him a lot, just not sure which I prefer, the figged figgy or the unfigged (we call fleas “figgys” in our house).  

A problem with nudity is of course not new and I had my encounter with censorship a few years back when the city of Encinitas CA refused to hang my painting Gnosis and the Old Gods Were Pleased unless the female character was made more discreet – for some reason the male junk seemed a-ok. 

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Gnosis and the Old Gods Were Pleased

An artist I admire quite a bit , Milo Reice ( link to his site: http://miloreice.com/MiloReice/intro.html) who I discover happens to be a neighbor, has explored censorship and the fig leaf archetype in his own work. In his words  concerning the following image :

“A detail of a recent work of mine where I was lampooning censorship- underneath everything is thoroughly painted – the appliqués held on with magnets”

 A brilliant solution to a vexing problem by a magnificent artist. Check out his website above!

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Of course there are times when foliate discretion adds to the allure as in Canova’s  hunky Mars, who in this 1822 sculpture Venus and Mars. One rarely encounters such provocative undergarments outside of a go-go boy club.  

Venus and Mars. Antonio Canova. Italian. 1757-1822

Antonio Canova

Venus and Mars 

1822

But so it, perhaps an ostentatious fig leaf is in order. If so, I am in fine company. My boyhood hero introduced a ridiculously over sized fig leaf to the  ephebe valet  in his Enter Herodias ( from a Salome folio, first published in 1894) after  there was criticism to the boy’s boy-bits. Not sure which image is more profane ; not to mention the grotesque  fetus-like attendant with his enormous boner.

Without the fig:herodias

and with:

E.430-1972 Salome, Plate IX- Enter Herodias from a portfolio of 17 plates; by Aubrey Beardsley (1872-98); published by John Lane; English; 1907. Line block print.
E.430-1972
Salome, Plate IX- Enter Herodias from a portfolio of 17 plates;
by Aubrey Beardsley (1872-98);
published by John Lane;
English; 1907.
Line block print.

Both are delightfully perverse, horny candle sticks and dear Oscar as master of ceremonies. Source:http://collections.vam.ac.uk/item/O1110742/enter-herodias-a-portfolio-of-print-beardsley-aubrey-vincent/

I want to close with a beautiful prayer to the queer and the unwanted. In the aftermath of the Orlando shooting the internet was awash with support and queer empowerment . This prayer by  Mark Aguhar, who apparently killed him/herself ( I believe the author was transgender) wrote this beautiful Litany to my Heavenly Brown Body. I need to research Aguhar more thoroughly but felt it a fitting close to this post.

Mark Aguhar, %22Litanies to My Heavenly Brown Body%22

Official Portrait and a god

Getting around to photographing my self portrait doll, plus Jumping Tlaloc who has been hanging idly upon my studio wall. Poor fellow is itching for some action.

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Self Portrait of the Artist as a Paper Doll

2016

watercolor,acrylic and graphite on paper, brads, strings

approximately 40 by 25″

IMG_8687Jumping Tlaloc

2015

acrylic on cardboard, brads and string

approximately 42 by 30″

Tempus fugit…or Self Portrait of the Artist as a Paper-doll

IMG_8578 I’ve just finished this self portrait paper doll, I was eager to see it in action and it is indeed a gangly silly fellow. Tomorrow he travels to school for our final life drawing  project which was initially called Tempus fugit (but that apparently proved too difficult a concept for the millennials in my class so it became simply one concerning  movement and speed). I knew instantly what I wanted to capture, my ever present, frantic desire to make up for lost time as an artist,  fighting frantically against time (and ultimately, death). I also knew I wanted it to actually move.

Hence a play upon the Victorian jumping jacks, a passion since boyhood. Playing upon the jumping jacks also allowed me to actively engage the comments made at my last critique that the figures in my paintings  looked like paper dolls.

So what if they did! I love paper dolls , I  have always loved them and in some way, conscious or not, they have emerged.

So I plan on intentionally embracing this notion, exploring my own self loathing, my internalized homophobia, my weird body issues, issue after issue, and a self portrait paper doll seemed an excellent place to start . I have inserted commedia figures into my work before as personal avatars but now that I have an actually maquette and  I can draw upon it for aid in compositions ( more gratitude to Clive Hicks-Jenkins for introducing me to maquette making).

Now that class is over I can concentrate on paintings that I have in process and paintings that I have in my head. Better jump to it, Tempus fugit!

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Tempus fugit or Self Portrait of the Artist as  

2016

watercolor on paper, graphite, acrylic, brads approximately

26 by 40″

 

The Inept Filmmaker

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A filmmaker friend has expressed interest in filming my marionettes , the making of them , performing with them,  our exploring the Popol vuh narrative, etc.  This all sounds like great fun. So in my naive enthusiasm I decide I’m going to explore  stop-action filmmaking. After all I have a bunch of articulated maquettes to play with. How hard can it be?

Tedious , certainly, but that shouldn’t be a problem.

Well it ain’t easy.

I purchased an app for stop-action, that has helped certainly, but so much more to figure out.  The following clip is one of my first experiments: Mictlantecutli, the Not-so -great Hunter.

Inept, but at least very short…this is even shorter . 

The First Kiss

This will obviously NOT be a career change anytime soon. But it is fun. I want that sense of play in my life in general, which often in my devoted studio practice can seem elusive. Particularly once I have committed to a large canvas. Such is the case at the moment, I’m working on a large oil, that I enjoy painting ;  but it is daunting, a commitment of time and energy. Dabbling with stop-action is a welcome distraction. I will in time master editing, lighting, buy better tools (a tripod perhaps)…but for now, I’m playing.

Be well,

LG

Great Jumping Tlaloc

My friend and mentor, the very talented artist, Clive Hicks-Jenkins (link to his site) inspired me to work with maquettes  some time ago. He thought  that the flexible little paper mannequins would aid my compositions.

They have, but they have also become a joy unto themselves.

I make them because they bring me pleasure. I recently found myself inspired to craft an uber-maquette of the great rain god Tlaloc. I figured since he was such a flexible fellow he would make a fine mechanical doll, a Jumping Jack or if you want to be fancy, a pantin.  My Nana would bring me German-made pantins as a boy; this mega Jumping Tlaloc brings me the same joy although he is considerably larger than my childhood playthings, he measures at 41″.

IMG_4591Tlaloc

acrylic on cardboard, brass fasteners, string

41 inches high

There is a certain degree of elaborate stringing to make the fellow “jump”, but once strung he is quite lively. Below you will find the great god in his  relaxed state.

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As I experiment with depictions of the rain god, I have been dressing him in a fearsome mask. But under this fearsome exterior one finds a gentle god. Seems reasonable given he brings forth rain and life. I was inspired by this colonial image of Tlaloc.

1458431_572409069511998_211111241_n copyAnd his mask is based upon traditional depictions typically found on vessels.

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I need to paint the brads still and make a few adjustments with paint and string, but he so delighted me, I was eager to post the fellow.

After I figured out the logistics of pantin-making I stumbled upon this handy-dandy template. Pretty much the same as my own but thought I would share it.

pantin homme face

Well until next time, take care,

Lg

From today’s sketchbook :Fallen Patroclus

Actually yesterday’s, but I was too groggy to post. Working on other drawings today. This Patroclus is just a result of my continuing fascination with the heroic (and doomed ) archetype.

Once again my handy-dandy maquette came in handy-thank you Clive!

IMG_3640Fallen Patroclus

charcoal on colored paper

18 by 24 inches

Take care and be well,

LG