Jongleur de Dieu, Tumbler for God

Jason Jenn, from his March 16th 2019 performance of “Temptations in Fairyland”

Temptations in Fairyland , Jason Jenn’s site specific performance piece, which delighted  not one but two separate audiences last Saturday at MOAH/Cedar in Lancaster CA, immediately called to my my mind the Jongleur de Dieu, the prankster tradition of tumbling and juggling in order to best serve the Lord. Harking back to the early Church with Symeon the Holy Fool and his manic, mad pranks in which he cleverly  brought the Gospel to a feckless and indifferent world, this enthusiastic tradition continues still. In relatively contemporary times, the late theologian priest Henri Nouwen has been described by his biographer  Professor Michael W.Higgins as such. In referencing the trapeze artists The Flying Rodleighs and their impact upon the priest, Nouwen acknowledges his own place as a Holy Fool:

…the Flying Rodleighs allowed him to see his life as that of a Jongleur de Dieu, a Tumbler or Juggler for God. Although a medieval conceit-linked with courtly love tradition and the troubadours- the jongleur had a special, subversive and beatific function to perform.”

Genius Born of Anguish:The Life Legacy of Henri Nouwen, Michael Higgins

“Special, subversive and beatific” was indeed the “function” of Jason’s astonishing performance last weekend. Set in the middle of my Fairyland, I hadn’t known what to expect, I can say I hadn’t expected such a completely immersive experience-you simply have no choice but to jump onto Jason’s wild speeding train of boundless energy . I am a full throttle artist, I frankly do not know how to make art without giving my all; Jason is a brother, a comrade in this. His performance so complete, so fully committed to embodying Flaubert’s Temptation of St. Anthony, my own Fairyland and his own very personal understanding of performance art and its place in understanding how best to be a human. We as enlightened, gifted beings kissed by an unknown, unknowable god, God, spirit, power, have struggled with this from the very beginning,  Jason, performing as the anchorite Anthony and as the ambiguously evil, delightful, seductive desert  companion Hilarion tackles this conundrum with wit, wonder and moving pathos.   I giggled between gasping, it was a dizzying, manic performance that delighted me at the moment and now a week later leaves me wondering how best to move forward.

 Deep, deep respect to you my friend , Jason,  your tribute meant so much to me.

 

With that said, some mementos from that performance (images for the most part from Jason’s Facebook page).

As the Anchorite with my “Robin Goodfellow
As the Anchorite.

Enter Hilarion!

The incredible body paint by his collaborator, the talented visual artist Vojislav Rad. I was so amazed by this clever pastiche of my own work , that for a moment , I tried to remember when I had actually painted it! 

Vojislav hard at work.
What a team.
The Tempter in the Seat of Temptation, the Anchorite’s Chair.
A moving closing.

It was quite a day, one of great honor for me. Thrilled to see Flaubert so wonderfully realized, delighted to see my own work so thoroughly understood and lastly, to better understand Jason’s work. I am not as familiar with the traditions of performance art. It has always seemed so ponderous, at times full of itself, Jason, through his quite serious merrymaking allowed me to see the joy and life in this art. Similar to my own work, Jason employs a light touch to weighty topics. In this, we are both Jongleur de Dieu.

The author with Pluton.

On a more somber note, Jason’s performance was the last outing for my little chihuahua Speck, who at sixteen, died this past Wednesday. May he be tumbling for God as I speak. Rest in peace sweet boy.

Much gratitude to MOAH/Cedar for providing a home to both  Fairyland and to Temptations in Fairyland, and to Robert Benitez for suggesting the concept initially. What great support from this wonderful cultural gem in the desert!

From left: “Robin Goodfellow”, Leonard Greco, Robert Benitez, Jason Jenn.

A reminder that I am hosting a life drawing session tomorrow at Cedar Hall adjacent to Fairyland. Props, funny hats and a naked fellow, what more do you want?

Links to Jason and Vojislav follow:

http://www.jasonjenn.com

https://www.instagram.com/vojislav.rad/

Jason Jenn, from his March 16th 2019 performance of “Temptations in Fairyland”

Ekphrasis…what an honor !

Ekphrasis, the artistic practice of a poet or artist inspired by one piece of art that another, generally a poem, is created in its honor. This is an ancient tradition, Homer in both his Illiad and The Odyssey frequently gushes about lovely delicately wrought brooches and elaborate too-pretty-for-war battle shields. The Poetry Foundation describes ekphrasis as :

“an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art.” More generally, an ekphrastic poem is a poem inspired or stimulated by a work of art.”

Generally understood as a literary practice I myself however have almost exclusively been inspired to produce tributes to poetry and literature through the visual arts. I frankly cannot think of a single piece of work NOT inspired by literature .  My installation piece Embodied:St. Anthony & the Desert of Tears is directly inspired by Flaubert’s magnificent hallucinatory  noodle-buster The Temptation of Saint Anthony (which in turn was inspired by a marionette performance of the same theme).  My work is either illustration (which I would disagree with ) or ekphrastic tribute. As ekphrasis is a beautiful  somewhat haughty  and daunting word, I will go with the latter.

All that said I have been honored recently to have TWO works of art made in tribute to my own art! That is an extraordinary experience. The first is a work of poetry by the artist Edwin Vasquez who had a personal inspiration from my Temptations of St. Anthony of the Desert (below). This poet and artist sent me both the poem and a very poignant  note explaining the meaningfulness of my work to his own personal experience. Like so many artists I work in isolation and frankly never give consideration to potential viewers or their reaction to the work. To have such a touching tribute be sent my way, well that  is incredibly validating and much appreciated. The following is Edwin’s poem and a link.

 

The Temptations of St. Anthony of the Desert
2018
Oil on panel
18 by 36 inches

The Temptation of St. Anthony of the Desert

by Edwin Vasquez


Restless river zig-zagging like a poisonous desert snake

mirroring a non-existent, pale blueish color

from the grey hue of the restless sky.

On the right, in the forefront, St. Anthony stands in a catatonic state

behind a hollow tree trunk that resembles an empty cave where demons play,

his hand with painted nails holds the trunk — perhaps for dear life.

His forehead partially reflects the shadow from the twisted, carved cross,

accenting his sad and somber, melancholic face;

he resembles an animal in distress,

the saffron tunic replaced with a

tight costume – toxic green – accentuating his features,

yet he is not man nor woman,

he is animal, haunted by his own desires and demons.

The joke is on them:

the Bishop and King, the centaur and satyr, the jokers and demons;

they, in disgust, look away from him, who they want to scare —

he, who lost himself in the desert of his soul.

Link:https://sagebrushcafe.wordpress.com/ravensong/?fbclid=IwAR0VHEPDJgO5diiQQ4s8sZqNPT_UoXN7J3nFtrDwNqGJxzZNClnJ2rzmaQg

 

If that wasn’t exciting enough, another artist Jason Jenn has crafted a performance piece around my installation Embodied:St. Anthony & the Desert of Tears. I haven’t seen the work yet and have consciously distanced myself from any input , eager instead to see what this talented friend comes up with. The image associated with the performance of  Temptations in Fairyland delights the heck out of me.

Temptation in Fairyland
Jason Jenn

A link to the performance is on this Facebook events page:

https://www.facebook.com/events/387324135388019/

I don’t know what to expect, and like everyone else I will have to wait and see on March 16th, but I am  unabashedly excited.

And honored.

“The Temptation of St.Anthony of the Desert at the Baths of St.Mark”
2016
sanguine pencil on paper
18 by 24 inches

This  solo show experience has been a great source of personal gratification. I am on a sort of forced break from the studio, first I am in the process of moving the studio to another location, but more importantly (and more pleasurably) meeting friends at MOAH/Cedar to walk them through the galleries. I haven’t socialized this much in years, a bit daunting for an introverted hermit but what a delight. Today I met two really darling friends, both very talented artists, Malka Nedivi and Simone Gad, this photo being a treasured memento (my pups travel pretty much everywhere I go at this point).

Malka, left, The Dogwalker and Simone, right.

Again, what an honor!

The Temptations of St. Anthony of the Desert
2018
Oil on panel
18 by 36 inches