Family Friendly

I’m very pleased that two of my favorite  and decidedly not “family friendly” paintings have been included in this exciting group show curated by the talented Gwen Freeman.

Show details follow:

“Family Friendly” is a loaded phrase for those who do not conform to the hetero-normative model–the paradigm often described as “normal,” “just regular,” or “traditional.”

This phrase, “family friendly” can be interpreted by the LGBTQ community as code for “not including me.”

But, of course, gay, lesbian, transgender, non-gendered, gender-fluid, cross-dressing and queer people are very much a part of families all around the world.

This exhibit seeks to explore that fact, and to celebrate a broader more inclusive definition of family.

PARTICIPATING ARTISTS:
Joanne Chase Matillo * Natalie Egnatchik * Michael Frey * Leonard Greco * Kerry Thorne

CURATOR:
Gwen Freeman

LOCATION:
The AAC Blue Wall Alcove @ Ave. 50 Studio
131 N. Avenue 50, Los Angeles, CA 90042

EXHIBITION DATES:
February 10 – March 3, 2018

OPENING RECEPTION:
Saturday, February 10, 2018, 7 -10pm

Herakles & Telephos
2015
watecolor on paper
12 by 9 inches
The Castration of Uranus
2015
watercolor on paper
11 by 14 inches

 

 

 

Fairyland

Detail from “My Insignificance is Magnificent”, 2016, watercolor on paper

At this stage of my life, off center of a century, I am grappling with ways in which to express my “being-ness”.  Unable to avoid the “who am I” question any longer, I find myself, as a visual artists reaching beyond my usual studio practice of oil painting into diverse disciplines including figures in the round.  The figures are essentially dolls, and are fashioned by fully embracing the pre-conceived sissy element of this art.

It is in this extension of my practice that I am exploring, at this late stage, my identity as a queer and terrified man; the specter of the pansy boy I was, being given new voice in my latest ongoing project “Fairyland”. It is in this new series of projects , where paint, needle and thread give expression and validation to a long suppressed self loathing.
The very name “Fairyland”, a word once delivered with bloody blows, transcends beyond with a message of empathy, compassion. pride, and I hope, humor. Reclaiming the fairy has been empowering. The art I attempt to create is intended to express the spirit of furtive repression breaking free.

Detail from “The Doomed Amphinomos”, 2012, colored pencil on paper