FAUX:DADA 100 Part 2; my submission

Hellmouth costume-marionette-mask for "No Exit"
Hellmouth costume-marionette-mask for “No Exit”

So I am participating in an upcoming group show which is an homage to DADA and the centennial celebration of its founding. The work thus far submitted looks marvelous , capturing the anarchist aesthetic of the movement.

Each artists self selects a work or artist  who they wish to honor by crafting a new work in homage. It looks and sounds like great fun.

My selection is of course theatrical and perhaps a tad neo-medieval (does that even make sense?). My inspiration was Pablo Picasso’s cumbersome cardboard costume designs for the Ballets Russes’ production of “Parade”. His fabulous costumes were so ungainly the dancers were unable to dance, let alone move with any grace. Hence the DADA aspect, art/non-art; a ballet without movement…how is that a ballet?

Yet it was. 

So I hoped to fashion my own cardboard contraption, equally cumbersome. A walking Mystery Play, marionette arms gesturing and inviting audiences to a performance of Jean-Paul Sartre’s incredible “No Exit” (if there was ever a more loathsome description of Second Empire interiors, I would be hard pressed to identify it). Sartre’s play is chilling and rip-roaring at the same time and I hoped to imbue my marionette-mask-costume with those attributes.

Its rather large, at least 50 inches in every direction, more when the arms start gesticulating. I haven’t yet been able to both wear it and have measurements taken- I will at the opening. The opening which is November 17th will be at a  fantastic gallery space here in LA; thus far every event I have seen there has delighted me. I’m really eager and pleased to participate in this.

The link to MuzeuMM is : http://www.muzeumm.com/Artist.asp?ArtistID=30405&Akey=KWFHS9Y6&ajx=1

The following is Picasso’s incredible work, I’ve always loved his theatre work, encouraging me as a boy to play and experiment with the most pedestrian material: cardboard, tin cans, house paint, duct tape- especially duct tape! If nothing else, my homage is heartfelt.

It would be lovely if local folks could attend the opening and toast the greatness of DADA!

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The Temptation of St. Anthony (of the Desert) at the St. Mark’s Baths

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After the Orlando massacre a few weeks back I have been giving thought to my past, particularly my youth and what a miracle it is that I am here today. Lets say the theme of  Memento Mori is my day to day soundtrack of late. 

My youth was a turbulent period, my parents were furious at my being gay and  they regularly changed the locks after tossing my  meager belongings out onto the lawn.  Their  flashes of temper left  me homeless for periods of time, sometimes a few days, sometimes weeks. Often I would just float around , I had a large car, a Chevy Impala, it was an ugly beast but it was commodious; frequently it sufficed as the roof over my head.

This was the early years of the 80’s and with the little cash I scratched together  I would head north; NYC beckoned me away from that shit-hole in NJ.  And like many suburban gay boys I  fantasized about that city, I picked up copies of the now defunct Soho News, the Village Voice, Interview magazine, fantasizing about this paradise only a train ride away. I imagined living in this fantasy  loft, with beautiful pine floors and expansive windows, “artistic” furniture and of course Boston ferns. Boston ferns were not negotiable .

But of course that was not my reality, I was poor and  not that cute in a city of incredibly beautiful people and my only real companion was an on again- off again drunk drag queen named Leo, her drag name Leonora- perfect Lenny and Leonora.  What a pair we must have made.  

Leo was only six years older I have just discovered but gosh, I thought he was so mature, so experienced. He had BEEN to Broadway, had been  to the Met(both the opera house and the museum), the ballet, he knew everything . He was an introduction to a level of sophistication I hadn’t imagined. On our first encounter he bought me the cast recordings to “Dreamgirls” and “Evita”,both spectacular hits. I hadn’t a stereo or even a home at that point but they were totems of a life I so desired.

But Leo as sophisticated as he was, as genteel as he was, was also very familiar with the sordid (yet exhilarating) aspects of the city. We went to the nightclubs if they were free, the lights flash now in my memories , one blur after another. But what Leo enjoyed most was going to the baths. And really they were perfect, they were cheap, all you had to do was buy a towel and you were in…for hours, until dawn. Leo would buy his towel, often if he was flush, buy mine as well, kiss me goodbye, tell me where and when to meet up, and off he went. I can remember still how he draped his towel, he tucked it up well over his chest, inching it as if he had breasts, pushing them together to imitate  a cleavage he didn’t possess . I often wondered what the hell he was doing, here in this hyper masculine world , here he was sashaying like some peculiar version of Marilyn Monroe. Yet he was popular.

I was not, I was an invisible boy, goofy, plain and confused . Also I was exhausted. What I often found myself doing was falling asleep. I wasn’t deliberately chaste, I just wasn’t chased. So as I was too broke to buy drinks and afraid of the drugs around me, I found myself falling asleep in the oddest of places, the orgy rooms of the bath houses. I think my unpopularity saved my life. Leo would be dead in less than a decade, and so would pretty much anyone else I knew in this strange  wonderful new world. But I survived, and that , I have been thinking about of late. How when I was a young kid,as young as many of those kids in Florida,  how I desired  to attract the attention of the  many beautiful gods  that surrounded me, only a few feet away yet I remained invisible. I was lucky.

That is what I wanted to capture in this drawing, that confusion, that dizzying excitement, the pagan energy, that now is only a shadowy memory. Elusive as a lost soul.

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The Temptation of St.Anthony (of the Desert)in the St.Marks Baths

2016

sanguine pencil on paper

18 by 24″

It is of course a dense image one full of meaning but what is most significant at least to me is the image of the saint, who resembles a younger me, the clown like figure in the lower right; the skeletal figure in the mask is my dear friend Leo soon to be almost as ruined as this figure I depict. 

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I haven’t much from that period, the LP’s Leo gave me our long gone, the cliched pink flamingo statuettes he bought ( even though I essentially lived in a car) long broken, but I still have the post card from The New Saint Marks Baths, it captured the glamour and excitement of that place then and now years later, it still does .

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An odd bit of ephemera to a period long past.  I can’t think about it anymore…

Have a good Independence Day

Official Portrait and a god

Getting around to photographing my self portrait doll, plus Jumping Tlaloc who has been hanging idly upon my studio wall. Poor fellow is itching for some action.

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Self Portrait of the Artist as a Paper Doll

2016

watercolor,acrylic and graphite on paper, brads, strings

approximately 40 by 25″

IMG_8687Jumping Tlaloc

2015

acrylic on cardboard, brads and string

approximately 42 by 30″

Open for Critique…kinda

So after much studio time (on and off, over a year) I am at last, pretty close, almost positive, for the moment, finished with my latest paintings. And although I have heard younger artists, seemingly without any pause (or apparent modesty) call their work “masterpieces” , I am in no way inclined to make the same claim; but I am pleased (for now).

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Seizing Sanctimonium 

2016

56 by 40″

oil on canvas 

click on the image to enlarge

 I have been eager to get the painting into a presentable stage as Sunday is my turn for the critique group I have recently  joined. As some of you might remember this is a bit anxiety producing. My paintings are very far from random and imbued (crammed)with meaning : personal, mythological, literary etc. All not terribly obvious from first encounter. I fear it might not be well received or understood, but that is something I cannot control.  One of the problems I anticipate is that the one being critiqued is  not to respond while criticism is being made. I might have bitten off my tongue by the end of all of this.

So wish me and the painting well.

I will tighten the painting some more next week, details and glazings, saturating shadows and such. Then I will try to explain the painting at some length in the final post. Hopefully with a better image.

Until then , be well.

Of Trout and Virgin Queens…and the Arroyo Seco

My thoughts at the moment are on all things piscine. I’m participating in an upcoming celebration of the Arroyo Seco, a tributary of the LA River, a costumed parade bash celebrating this once vital body of water. I’m helping with community puppet making and looking forward to that opportunity  Apparently at one time trout was abundant in the Arroyo Seco;  that is now difficult to imagine to this newcomer, the LA River is at times choked with debris, the tributary often a mere trickle. But one can hope through activism, awareness and frankly fun events such as the Fish Outta Water parade that the river will once again be alive with all sorts of wildlife. 

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The Virgin Queen Goes a Troutin’ 

1984(?)

houseplant and dumpster furniture

(This is from a piece of painted furniture from a million years ago, I was very young, living in Maine, peddling painted furniture to summering dowagers. This sold almost instantly to a lovely woman in Blue Hill.)

My attention is turned to fashioning a suitable costume and mask. I want the mask to be a relief print so I can make several if I wish . I would like for it to a personification of the Arroyo Seco (granted more baroque, more absurd). But what the hell. This quick sketch is the basis of where I think I want to go, simple construction, wildly ornamented.

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I’ve spent the first part of the day brainstorming ideas for the masks, drawing literally on baroque ornamental cartouches. I’ve gone through a heck of a lot of paper, but I have whittled it down to three potential candidates.

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I think this last one will be the winner. I want to make additional water critters and dangle them down from the watery beard.  My new friend , the very talented Peter Hess ( see link: http://www.peterhessart.com ) designed the poster for the event. It is incredible .

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In closing I just wanted to include some images taken a few months ago at the LA River. It is a favorite haunt of ours to run,bike or just walk the brats, and although it is not as conventionally romantic as an east coast river, it is rich with wildlife. Sadly much of that is gone, in preparation for El Nino , habitat has been  damaged if not out right destroyed to facilitate drainage. We have heard rumors that the river was to be completely dredged of plantlife, further compromising sanctuary for the egrets, turtles, fish and other critters that call this oddball place home.

May the River God Arroyo Seco protect them.

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Now to some lino carving!

Two New Prints Off the Press (& a mask)

Last evening after a harrowing day dealing with family drama I was able to relax with friends , have a glass of wine and make a few prints courtesy of Deborah’s lovely  and efficient little press.

A balm to my stressed soul , gratitude  to Deborah, Melanie, Kara and Kenneth for camaraderie and inspiration.  The following  two prints are the result of such fine company:

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Agnus Dei-the Meso Version

2014 (plate carved ion the feast day of St.John the Baptist)

8.5 by 11 inches

relief print on paper

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Agnus Dei

2014

9 by 12 inches

relief print on paper

I’m thrilled to be back at the press and in the company of other artists exploring ink on paper.

I’m closing with another mask, I’m working towards 100 masks, a play upon Joseph Campbell’s Hero with a Thousand Faces; one hundred Heroes is enough for me!

Be well, Lg

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#5

2014

acrylic paint on papier mâche form

Kaleidoscope, opening soon

I’m delighted that some of my work has been selected for another show , right up the street  on La Brea, from where my painting Primavera is being shown at the Loft at Liz’s.

The gods are being generous for which I am grateful.

Kaleidoscope 9

EXHIBITION: KALEIDOSCOPE
DATES: July 12 – August 23, 2014
OPENING: Aritsts’ Opening Reception, Saturday, July 12, 6–8pm
GALLERY HOURS: Tuesday – Saturday, 11am – 5pm

 

  Couturier Gallery is please to present Kaleidoscope, a group exhibition combining emerging and established artists through a spectrum of disciplines. The show incorporates book art, ceramics, collage, paintings, printmaking and tape sculptures. The varied nature of the show creates complex connections between works that forge a rich mosaic of aesthetics, visual language and themes.  Artists include: Sandow Birk, Fausto Fernandez, Leonard Greco, Gronk, Judithe Hernandez, Noel Vargas Hernandez, John Hesketh, Jay Kvapil, Nancy Goodman Lawrence, DeLoss McGraw, Antonio Muniz, Connie Rohman, Frank Romero, Irwin Sanchez, Danny Scheible, Ana Serrano, Susan Sironi, Corey Stein, Leslie Love Stone, John Valadez and James Zver. Kaleidoscope runs from July 12 to August 23. Join us for the artists’ opening reception Saturday, July 12, 6-8pm.

 

For further information or images please contact me @ cg@couturiergallery.com.

 

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one of the three masks selected,The Hero Triplets.

 J, the wonderful fellow who runs Couturie Gallery selected several prints and some masks I have been making. I will be exhibiting alongside Judithe Hernandez , who I  really admire, I feel very honored and intimidated.

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 Resurrection of the Father

relief print on paper

2013

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Scapegoat

relief print on paper

2014

I need to drop the work off before my yoga class, so I better pack them up.

Until next time,

be well ,

Lg