Yet Another St. Anthony

My passion for the anchorite St. Anthony never seems to abate. Another composition for perhaps another painting. I have many to choose from…

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Temptation of St. Anthony of the Desert

2016

pencil on paper

18 by 24″

Details follow:

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Anthony and his guardian Wodewose-Greenman

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Herakles and Ophelia

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Tlazoltéotl, a difficult birth

My esposo so rarely asks anything of me, he supports my work in every sense , so when he made a request for me to paint a portrait of the “Eater of Filth”, the Aztec goddess Tlazoltéotl, I could hardly say no. I introduced David to this fierce goddess when in Mexico City , reading aloud the words of the great Mexicophile , Alma Reed’s and her description of Tlazoltéotl :

” Primarily an earth goddess, Tlazoltéotl, “Eater of Filth”, alone among the female deities had a moral significance, since in eating refuse, she was believed to consume the sins of mankind, leaving them pure.” ( The Ancient Past of Mexico, 1966).

 I knew this would resonate with my beloved, for aside from Roman priests and the sacrament of confession, few professions aside from his own(psychoanalysis) are able to break through the wall of darkness and allow the  pure light of renewal into one’s soul.

He asked for a portrait of this patroness of sinners, of purification and of curing, of misdeeds and of childbirth and of renewal.

And unofficially, of psychic renewal.

 This is it.

For my darling, Tlazoltéotl, a difficult birth.

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Tlazoltéotl, a difficult birth.

2014

oil on panel

18 by 24 inches

My depiction of this great goddess was in a great part inspired by the well known depiction such as the one that follows. We in fact have a silly clay whistle of her, purchased at the base of the Pyramid of the Sun at Teotihuacan, sitting on our dining room sideboard.

Tlazolteotl

  In this image she is giving birth to one of the maize gods; again, a symbol of rebirth.

According to the Miller/Traube Dictionary of the Gods and Symbols of Ancient Mexico, she is often depicted with a broom to represent her ability to cleanse; I thought a dainty dust rag more fitting for my goddess. I’m not going to psychoanalyze my own painting, why the amputated semi- aborted men? I do not know.  I do know I chose butterflies, an almost universal symbol of the soul, some to be set free and to flourish and some to be crushed to their death, at her whim.

This seemed fitting for this goddess who we all most confront at some time ; the Aztecs, according to Reed, would make offerings and auto sacrifice to her upon their death bed. But as my own psychoanalyst interpreted recently, this great goddess of redemption, this “Eater of Sin”, needs our sins to survive as much as we need her for redemption.

Be well,

Lg

Open To Criticism

In my desire to more fully engage as an artist I have joined an artists  alliance that is affiliated with a local museum here in Southern California. Apparently, once a quarter, its members gather with one piece of their work and a group critique ensues.

Strikes terror in my heart frankly.

Nonetheless I have decided to attend. I have a fair number of paintings to choose from but most tend to be rather large.  Fortunately I have been working on three smaller paintings, one of which is 95% complete, it is called Peregrino de la Rosa- Pilgrim of the Rose.

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Peregrino de la Rosa

oil on canvas

24 by 30 inches

The painting started out, as I posted on the following link, as a small sketch cobbled together after being inspired by my dear friend Rosa’ s nocturnal wanderings-spiritual development and a trinity of owls being major themes, the link provides more detail. But as I painted and explored I better understood the personal significance , hence my pilgrim is no longer a woman but instead one of my idealized
Poussin inspired heroes.

I have come to see this image as a moment of  decision at a crossroads, one in which I find myself. Our pilgrim has encountered a shaman like figure and is offered two paths, the more obvious one and  the more furtive one, which will he take? I find myself still struggling with this persistent question : steeling my nerves and going forward with formal training or staying on the familiar and frankly often frustrating path of self discovery. This group critique is an opportunity for me to poke my head out of the hermitage and perhaps explore options.

IMG_4079 2Detail of my peregrino

On an aesthetic level I’m happy with the tone and coloring of this painting. The underpainting was done in a very warm monochrome, essentially Indian Yellow. I’m pleased the painting retained the warmth.

IMG_3971Initial underpainting.

As I mentioned the painting is very close to completion, some noodling about with finicky details and further shadows and light but essentially finished. The critique is early this evening and I want the painting to be at least tacky dry  for transport so I will hold off fussing until tomorrow.

Wish me well and until next time, take care,

LG

Desert Blooms

IMG_3984I was out of the studio yesterday for a wonderful reasons, two friends who we have loved for years, Victor and his incredible wife Claire, were in San Diego for a conference. We know are friends from our time spent in Pittsburgh, David and Victor were in the same doctoral program. As lovely as Pittsburgh is, and it truly is, they do not have cacti. San Diego has them in abundance, and this weekend they were showing off. I snapped a few images, I’m not a botanist or a photographer so I must be forgiven for the quality and lack of identification. All I can do is create a memento of a lovely time with dear friends.

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I love the wee little bees

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Sometimes I wonder where my ideas come from, but some are rather

obvious.

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I’m going to miss my friends, such a bright memory that I will treasure.

The following is a wonderful image taken by Claire, I just love it.

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Until next time, take care,LG