Studio Sale Offerings

The following images are of available art that I have discounted for my upcoming studio sale; generally about half of the regular studio price-some even  more deeply discounted due to storage and shipping concerns.

My moving sale will be Saturday July 16th, I would love to see folks in person. If you cannot make it certainly reach out to me (cell 310-498-0817) and we can make arrangements . Payment plans considered, my aim is finding new collectors and  good homes for my work. Reach out should you have any questions. Sorry to say , pick up only, I am not available to offer shipping right now.

With that in mind, thanks for considering my work.

The Temptation of Saint Anthony of the Desert
2013
oil on canvas
36 by 48 inches

This is my first of many Temptations, Anthony is a self portrait. Originally listed at  $3500.00 now available at $2150.00 (unless my husband asks me to keep it ).

The Apotheosis of Sophia
2014
Oil on panel
24 by 18

Originally listed at $2100.00, now $1250.00

The Presentation at the Temple
2014
oil on canvas
40 by 30 inches

Originally listed at $1600.00, now $450.00

The Resurrection of the Father (watercolor)
2013
watercolor on paper, framed, under glass
18 by 24 inches, unframed dimensions

One of the earliest Popol Vuh works, originally listed at $2400.00, now $800.00, handsomely matted and framed.

Icarus
2013
Watercolor on paper
18 by 24 inches, unframed dimensions

Icarus is handsomely matted and framed, was $1800.00, now $400.00/SOLD

Resurrection of the Father (oil)
2013
oil on canvas
40 by 50 inches

Large, striking canvas of the Hero Twins,originally  $3200.00, now sharply reduced for swift sale $500.00

Castration of Uranus
2015
Watercolor and graphite on paper
11 by 14, unframed dimensions; matted and framed

Definitely NSF , also nicely matted and framed (I keep framers busy), was $1800.00, now $500.00/SOLD

Patroclus Fallen
2013 or so
Pencil on paper
23 by 29 matted and framed

Again, handsome presentation suitable to a Homeric hero, matted and framed, was $1100.00, now $350.00/SOLD

The Anointing
2015
acrylic on paper
20 by 28 inches

 

My Hero Twins are also nicely matted and framed and attractively priced, originally $1600.00, now available for collecting $750.00

Herakles & Telephos
2015
watercolor and graphite on paper
12 by 9 inches, the unframed dimensions

I really like the framing and matting on this work, a playful pink matting adds  just the right over the top touch for a mighty macho fellow. Was $1600.00, now $800.00

Jumping Tlaloc
2015 or so
acrylic painted cardboard, brads, twine.
The size of a small man

Of a series of oversized jumping paper dolls, pull his string, he does a little jig. He is a little shop worn (he is cardboard, his right hand slightly wrinkled). He was $500.00, now $150.00

Lavinia
2015
acrylic on canvas
20 by 16 inches

Lavinia and Second Apparition below were part of a series depicting favorite scenes from Shakespeare’s dramas (Titus Andronicus and Macbeth).

Lavinia was $800.00, now $400.00

The Second Apparition (of Macbeth)
2015
acrylic on canvas
20 by 16 inches

This scene from Macbeth priced as above, was $800.00, now $400.00

Coatlicue
2013
oil on canvas
36 by 24 inches

One of my early Mesoamerican themed paintings, Coatlicue the mother of the war god Huitzilopotchtli, frequently  compared to the Virgin Mary of the Aztec pantheon. Originally  inspired by a dream, initially listed at $1600.00, now $450.00

The Great War God Huitzilopochtli
2015
oil on canvas
12 by 8 inches

Speaking of the Great War God Huitzilopochtli. this small but mighty painting is a fitting companion to the fiery Madonna and Child above. Was $900.00, now listed at $450.00

Strange Fruit (Popol vuh series)
2013 or so
oil on canvas
30 by 20 inches

Early work exploring the mysteries of the Popol Vuh, was $1600.00, now $400.00/SOLD

The First Popol Vuh
2013
mixed media
24 by 36 inches

The very first of what would be many Popol Vuh works, of Hero Twins, Death Gods, Xibalba the Maya Underworld, martyred Maize Gods, this a theatrical mixed media spectacle . Never before listed let alone shown, lets say $400.00

Philoctotes
date unknown
oil study on cardboard
24 by 18 inches

I have quite a few studies and daubs such as Philoctotes above, most priced at $75.00 or so. I also have quite a few drawings and studies for browsing and most likely  gifting.

I hope to see you there, again, the date is Saturday, July 16th, 2022, between 11 am and 3 pm at my studio, 6404 Wilshire Blvd., suite 1030 (not far west from LACMA). The building is locked most of Saturday so give me a ring at 310-498-0817 and I can let you in. I can let you in for parking as well.

 

 

 

 

Closing Shop…& new chapters

Well it is official, after sixteen years of being in Los Angeles we are at last moving permanently to our home in Chicago. I’ve been griping about Los Angeles for at least fifteen of our sixteen years living here, but as our office manager shows our suite (my husband and I share a commercial space for his practice and my studio) to prospective tenants, our July 31st exit feels all too real and I am feeling unexpectedly blue.

In remembrance of this, my last studio in LA, I felt it fitting to document it right before its dismantling 

My Wunderkammer is now either boxed up, crated for shipment, dispersed amongst friends or awaiting an upcoming studio sale. Its a pretty dispiriting place, I am not terribly inspired to even draw. My mind wanders from task to task, fretting as to movers, cargo trucks, cross country logistics…

My reality now is the distinctive tan of cardboard and packing tape.

I next begin packing up the apartment we’ve called home here in LA for the last year or so, the property manager just signed off on our lease this morning and we are now free to head eastward . My husband David is a psychoanalyst and was recently offered the position of president of the Chicago Psychoanalytic Institute, the position officially beginning in the autumn;  this incredible opportunity and  honor has pushed forward considerably our timeframe for exiting LA. Though excited and very happy for David I am now, after much vocal animosity towards this city, feeling a nostalgia and pining for what never was, for what never happened , for dreams unfulfilled.

But I am letting that go and looking forward to this next phase of our life together; for David certainly exciting , for me, I imagine a bit of the same old same old, working diligently and with full enthusiasm but with little external recognition. That is a difficult reality of being an obscure artist, the existential why of it all. I may work for months, a year or two even,  on a piece, and in the currency of our age,I may get perhaps fourteen social media “likes”- pathetic really this pining after validation, but so it is. Artists aren’t different from anyone else, we all want to be liked, our effort valued , our passions validated.

It is a conversation I have with fellow artists that I am close to, those of us fully  devoted to our craft but who largely go unnoticed- not quite the correct intersection of fashionable identities it seems. Art made with sincere passion but not capturing the imagination of the easily swayed public can  trigger crippling self doubt. The key I hope  is in the satisfaction the making brings to its creator, that in the end must have significance.

Or at least I hope so.

I have a new studio in Chicago, in addition to a small home studio (the former service wing of our  apartment). The space has what young folks call vibes, good vibes, and I look forward to fitting it out as a cozy den of stitchery, printmaking and panel painting (on a smaller easel scale than I have worked here in Los Angeles); drawings will be the craft practiced at my home studio…my own little drawing room at last!

So onward.

And remember , if in LA please stop by to my studio sale, payment plans considered, negotiations encouraged, even gifting of work if I like you! My orphans need homes and I seek a fresh start.

 

And to LA, thank you.

Samhain 2021 : red dots, an interview, reflections and hopefully a fresh start

Samhain Greetings!

“There is devil within each of us but it depends on us whether they are to be nourished or detained within. Burn your devil side into ashes on the holy fire of Samhain. Have a great Samhain celebration today.”

“Let us remove negative thoughts from the depth of our souls on this day of Samhain. Celebrate the evening with people you love and God shall give you a great year ahead.”

Such are the frequently perky suggestions for Samhain greetings I encountered online (link: https://www.virtualedge.org/happy-samhain-greetings/). Being an American, the Celtic tradition of Samhain feels like  an affectation, one I feel self conscious in expressing. Yet a day (evening  actually )honoring thinned veils of consciousness, liminal possibilities , new beginnings and fairy folk is pretty difficult to resist.

Translated  from Spanish,  my late mother-in-law Elisa would frequently chastise those inclined to fretting to “not paint the devil on the wall”. Being a well practiced fretter AND a painter of devils, it seemed a particularly pointed and relevant admonition.

I am behind a veil of my own at the moment, not so much straight up depression , but one concerning  purpose, direction and uncertainty. I’m 59, an ungainly number , lacking the elegant roundness of 60, and in this awkward time of life I keenly sense  not knowing what lies ahead. We purchased a home in Chicago, a lovely between-the-wars apartment on Lake Shore Drive, very handsome and its care and renovation has been my primary focus. But that domestic fussing is coming to an end and in putting down the big brushes of home redecoration I am having difficulty picking up the smaller brushes of personal expression.

My Chicago studio, the workroom is what I am calling it, is quite small, the former maid’s quarter, and that smallness has had an impact psychologically. I once painted vast ceiling murals, in hindsight astonishing physical accomplishments. The nuts and bolts of climbing 30 plus feet in the air, on rickety scaffolding, single handedly painting , with such confidence, recalls pride and admiration for a younger braver person…it also saddens me knowing that chapter is closed. I could not I fear, at this stage, climb to such heights and frankly I wouldn’t want to. Decorative painting was grueling , frequently underpaid, unappreciated work, nearly all of my work has been painted over, much of it painted pre-I phone, undocumented. Memories, many of them bittersweet.

Entry decoration, Boca Raton , Florida
Dining Room ceiling decoration, Palm Beach , Florida
Singerie decoration, garden room, Palm Beach, Florida

 

I now, contrary to Elisa’s scolding, paint devils, on canvas and panel, stitched up, carved into lino, sketched into notebooks. Devils and hobgoblins galore  as some recent workroom snaps attest.

 

Currently at work on illustrating the Maya creation myth Popol Vuh , I am happily occupied but my wonder at this point is what’s next? Paintings, of course but drawings , pencil work on paper really holds my attention, stitching as well, bringing the greatest satisfaction…and yet oddly, foolishly perhaps , I feel that to be inadequate , insufficient.

 Ponderings, naval gazing, trying to put self consciousness aside, at nearly sixty I struggle like a sixteen year old with self doubt.

Good news , some sales, my skull The Eternal Cycle,  now on an international exhibition tour, has sold, and when the traveling show ends, will have a permanent home, that is quite gratifying.

The Eternal Cycle
2021
Acrylic on life sized plastic skull
Detail “The Eternal Cycle”, 2021

Also gratifying is the fact that my oil painting Genesis has also found a collector.

Genesis in the Wilshire Blvd. workroom
Genesis
Private collection

Another bit of happy news was a satisfying conversation with an artist Richard Bledsoe at Remodern Review, who I admire a great deal and  is unafraid to ask the tough and challenging questions others more timid, less confident, fear to ask.

Link below:

 

https://remodernreview.wordpress.com/2021/10/27/artists-leonard-greco/

 

These are early morning musings and I must at this point get on with day as Dawn reaches out her less than rose tinted fingers across the  Los Angeles skyline (visible from my dining table). Nonetheless , a little more personal clarity gained upon reflection ; sending out good wishes, open horizons and lifted veils of doubt.

Belated happy Halloween, a solemn All Souls Day and a spirit filled Samhain.

Available Work

 

 

Stuffed Paintings, available!

 

There comes a point that an artist just needs room, and storing works gets rather expensive, with that in mind I felt it time to actively try to offer my work to potential collectors. The link below will allow you to browse oil paintings, watercolor paintings, acrylic paintings, drawings, soft sculpted Stuffed Paintings-I will post more as I go through my files.

If you have any questions  or requests for works not shown please don’t hesitate to contact me directly at neobaroque@mac.com, I’d be happy to chat with you. 

LG

Link can be found on side bar under Available Work and here:

https://boondocksbabylon.com/available-work/

Paintings, available!
Details found in side bar link Available Work
Details found in sidebar Available Work link
Adopt me!

 

Studio Clearance Sale

The Great War God Huitzilopochtli, 2014, 8 by 10"
The Great War God Huitzilopochtli, 2014, 8 by 10″

So its that time of year when one feels compelled to clear out the old and make way for the new. I hope in 2017 to begin afresh , adding printmaking to my studio practice. And while going through the stacks of prints in my archives I decided to try to move them along to happy homes. The following relief prints including handsome Huitzilopochtli are for the most part from 2014-2016. Ordinarily a one-block print (single color run) would sell for $100.00; this sale the same prints are 75.00 each, two for 100.00 (shipping and handling 17.00).

Thus far these are the prints available at that price.  I give plate size,not actual print size. Plate size indicates the block I carve into;  generally the following prints look handsome matted and framed at 12 by 15″. 

 If interested feel free to contact me directly at: neobaroque@mac.com

 

Death & the Maiden 2014
Death & the Maiden
2014

Death & the Maiden, 2014, plate size 8 by 10″, series of 6, 5 available.

The Virgin of Guadalupe 2014
The Virgin of Guadalupe
2014

The Virgin of Guadalupe, 2014, plate size 8 by 10″, series of 4, 2 left.

Agnus Dei 2014
Agnus Dei
2014

Agnus Dei, 2014, plate size 8 by 10″, series of 6, 5 available.

The Eternal Cycle 2014
The Eternal Cycle
2014

The Eternal Cycle, 2014, plate size 6 by 9″, series of 6, 2 available .

The Great War God Huitzilopochtli, 2014, 8 by 10"
The Great War God Huitzilopochtli, 2014, 8 by 10″

 

The Great War God Huitzilopochtli, 2014, plate size 8 by 10″, 3 proofs on mulberry paper available.

Tlaloc 2014
Tlaloc
2014

 

 

Tlaloc, 2014, plate size 8 by 10″, series of 8, 4 available.

The Siren's Call 2016
The Siren’s Call
2016

The Siren’s Call, 2016, plate size 8 by 10″, series of 7, 5 available (note, hand colored, slight variations).