Tenochtitlan Toyland

This is one of two proposals I recently submitted for a solo show… boney fingers crossed. The first, The Thinking Reed is pretty much ready to hang; this one resides mostly within my head and deals primarily with perception and the problems that arise from appropriation and misappropriation.

img_5064

Tenochtitlan Toyland: Playthings from New Spain

My proposal for “Tenochtitlan Toyland: Playthings from New Spain” is a theatrical concept room, an installation piece that essentially represents a nursery from hell. My concept which employs painted and constructed assemblages, cardboard and papier-mâché figures, marionettes and paintings on paper also incorporate an interactive element in which to engage the gallery viewer.

The nursery in question is that of the Infanta Margaret decorated with imagined booty from New Spain. By utilizing commonly found construction materials, I wish to poke fun at consumerism and the incessant quest for novelty.  To achieve this end I plan to make a plywood Selfie Booth, fashion a series of cardboard jumping wall puppets , even introduce a live performer encased in a walking puppet of my making. There is also a faux didactic element to this installation; I’ve painted a series of watercolor illustrations for an alphabet primer of New Spain that completely misses the mark in comprehending these vanquished people. From encouraging the use of hashtags for my proposed Selfie-booth, to passing out crayons in which to color pastiches of Baroque wall hangings, I wish to engage the viewer, reflect the past and hold up a mirror to the foibles and vanities of our current society.

My work is always narrative based and whether expressed through two dimensional or three dimensional works, I seek to tell universal stories and explore universal truths. With this installation I wish to employ every weapon in the arsenal. Paintings, sculpture and interactive engagement are part of my concept; I wish to create a sense of Gesamtkunstwerk, but instead of a Wagnerian Valhalla, I instead wish to create a dark and funny depiction of our seemingly unquenchable thirst for power and privilege.
Much of this work is still in the conceptual stage, so I have provided preparatory drawings to illustrate my intentions. I have also, when available, enclosed images of completed elements such as marionettes, paper dolls and pages from the aforementioned Primer of New Spain. I have also enclosed an itemized page providing details concerning my concepts and anticipated materials for the elements which make up the whole of Tenochtitlan Toyland; they are numbered to correspond with the images. Concerning which gallery I would prefer I have submitted a scaled rendering of the show situated in the W Gallery; of course that decision is up to the gallery. Given that much of the work is site specific I would appreciate, if I were fortunate enough to be selected, a later date in 2017 for the opening. Given my themes of consumerism and toys, a slot close to Christmas would be devilishly delightful!

107px-tenochtitlan_glyph_zp-svg

 

An Itemized List Concerning Tenochtitlan Toyland: Playthings from New Spain

1- “The Rape of Tenochtitlan”, 2016, colored pencil on paper, 18 by 24”.
The initial impetus behind this concept.

2- Pages from my alphabetic primer The Primer of New Spain ; letters A, B, C and D shown. The entire alphabet will represented .
Materials: watercolor on paper.

3- My marionettes of the Hero Twins. These marionettes are part of a body of work that includes other puppets and doll derived from the Popol vuh, that will be incorporated into the concept as a whole.
Materials: Sculpey modeling medium, armature, paint.

4-Part of a collection of paper dolls that I have been working on over the last few years. Some of the dolls are nearly life-sized, some conventionally sized.
Materials: watercolor, graphite, on paper, brads.

5- The Coatlicue Selfie Booth , given that Aztec goddess Coatlicue (and her war god son Huitzilipochtli) is quite a fearsome presence, she is an amusing choice for a selfie cutout . I would actively encourage the hashtag #teotoyland while visitors snap away; both ridiculing social media and exploiting it.
Anticipated materials: self supporting painted plywood cutout.

6- My proposal includes four “jumping jacks”, childish amusements of the Victorians, the difference being, as is the case with this depiction of the rain god Tlaloc,my offerings would be considered inappropriate for the nursery by most sane people. I imagine including three other Aztec gods including the aforementioned war-god Huitzilipochtli. Each will be placed behind a baroque inspired “tapestry”, that with crayons provided near by, I would hope gallery visitors would color in. I imagine an interactive experience, as with the selfie booth.
Anticipated materials: paint, cardboard, string, brads; tapestries, enlarged renderings with crayons provided.

7-The Templo Major, the heart of Tenochtitlan, home to the primary altars of Tlaloc and Huitzilipochtli , scene of countless human sacrifices and terrible battles , could not be a more inappropriate inspiration for a dollhouse; yet I propose just that concept . The installation would include rag dolls of gods, priests and their unfortunate victims. I anticipate quite a few hearts.
Anticipated materials: Painted wood and or papier-mâché construction, lightbulbs, mixed media as yet undetermined.

8- One of the aforementioned rag dolls, in this case, Huitziliopochtli.
Materials: rags, thread, paint.

9- A Meso-american television complete with vignettes from the creation myth , the Popol vuh. It would include the aforementioned marionettes.
Anticipated materials: painted wood and or papier-mâché , lightbulb , mixed media elements as of yet undetermined.

10-A prototype of #9, the Meso-american television.
Materials: painted wood, mixed media.

11- Mictlantecuhtli (Lord of Xibalba) parade marionette. A walking interactive puppet depicting the major god of the underworld . Once again introducing an absurd interactive element into the nursery concept. I hope the performer to be most fetching.
Anticipated materials: chicken wire armature, papier-mache, dowels, string, wire, paint.

12- Schematic of my proposal within the Wubdemann Gallery; drawn 1/4” scale.

 1-Rape of Tenochtitlan
1-Rape of Tenochtitlan
2-detail from Primer of New Spain
2-detail from Primer of New Spain
3-Hero Twin marionettes
3-Hero Twin marionettes
4-Paper-dolls from Xibalba
4-Paper-dolls from Xibalba
5-Selfie Booth
5-Selfie Booth
6- Tlaloc Tapestry design
6- Tlaloc Tapestry design
7-Welcome to the Xibalba Dollhouse
7-Welcome to the Xibalba Dollhouse
8-Huitzilipochtcli Rag-doll
8-Huitzilipochtcli Rag-doll
9-Xibalba Variety Hour
9-Xibalba Variety Hour
10-prototype example
10-prototype example
11-Walking Puppet
11-Walking Puppet
12-Installation Schematic
12-Installation Schematic

107px-tenochtitlan_glyph_zp-svg

Well, that’s it. I’m not sure which worries me more, being rejected or actually having this proposal accepted and going mad putting it all together! Wish me well please.

tenochtitlan_glyph

My Wunderkammer

fullsizerender

My Wunderkammer

My life, my art, my burning passions, all will, at some time be dust. This eternal truth faces us all and the shadow I leave behind may very well be a creaky antique cupboard crammed to bursting with a treasure trove of misfit bric-a-brac, ephemera and bibelots. Treasures (and trash) gleaned since boyhood, initially stuffed into pockets and cigar boxes, then into aching drawers, now find a home in the fanciful fretwork of a fusty Chinese Export armoire. The musty, the dusty, the cracked and the flawed, the unwanted and the unloved, all are welcome and treasured in this little kingdom .

As a boy I was enamored with Hans Christian Andersen’s The Shepherdess and the (Chimney) Sweep. Anderson fashioned an imaginary world within a fancifully carved cupboard, perhaps not unlike my own (although from the description of rutting satyrs it sounds decidedly Renaissance), his world is one in which bobble-headed Chinamen ( when one could still use such words) were once lovers with pot-pourri pots and now broken hearted he fancies the pretty little porcelain Shepherdess who fear the dark of his lair as Persephone feared Hades’. This world of wonder enchanted me completely and has never left; I have spent my life trying to recreate this magic, a world in which the seemingly inanimate and the trivial have a story and a soul. This desire is expressed within my work where the silent speak and the forgotten are honored. It is also expressed in concrete way, for the theater of Anderson’s folk tale is found within a Wunderkammer of my very own, perhaps my greatest joy.

This is a personal reliquary, where marionettes unstrung and bobble- headed Maya gods keep company with gnarled chicken feet and azurite Egyptian deities, where soldiers of lead still emit the foul stench of death and plaster Virgens are eager to heal (even if they too are as broken as we sinners). This worthless collection will be my legacy and when I am dust and no longer able to defend my misfits, what will be their fate ? Will they like Anderson’s young lovers crash and fall? Will my joys be left curbside ? Once again unloved, unattended to, fluttering to an indifferent wind, in a world enamored with all that is digital but not at all moved by the aching  tangible .

Or will they like the Shepherdess and her blackened Sweep be riveted together, treasured and facing a strange yet hopeful eternity. My desire  is some book-besotted boy or girl, quiet and inward, will catch the sparkle of some bit of fin de siecle frippery and surreptitiously pluck a few treasures into an open pocket, thus continuing the story, my story, their story, our story.

To read Anderson’s story follow this link:

http://hca.gilead.org.il/shepherd.html

Cheers! The Coaster Show @ La Luz de Jesus

Sep_laluz2

Funny how three little four inch squares can get me all excited but when they are part of such a YUGE extravaganza , I can be forgiven. Follow the link to see what is available, some really fantastic work at stunningly affordable prices. Scoop them up while you can, all can be pre-purchased!

Link : http://laluzdejesus.com/the-4th-annual-coaster-show-mark-todd/

My contributions should you be interested are listed in the link and are pretty cheap. They are as follows:

Greco_Night-Watch

Night Watch

Greco_Luna

Luna,

and my favorite

Greco_Id

Id

Opening night is this Friday, if you are in the area, try to make it, should be jolly!

‘Tony beckons, a call from the hermitage…

The anchorite Anthony of the Desert is frequently on my mind. I’ve been gathering work concerning the saint for a solo show proposal (see my previous post) and reshooting paintings from the past, including  this one, my first painting of the hermit.

 

IMG_9358

 

The Temptation of St.Anthony of the Desert

 2013

oil on canvas

To add to my mania the poetry site Duane’s Poe Tree featured one of my depictions of the saint, accompanying the painting below with wonderfully revealing source material. Check it out.

Link: http://duanespoetree.blogspot.com/2016/08/leonard-d-greco-jr-paints.html

the temptation of st. anthony of the desert

Athanasius of Alexandria — Life of St. Anthony:

“More and more confirmed in his purpose, he hurried to the mountain, and having found a fort, so long deserted that it was full of creeping things, on the other side of the river; he crossed over to it and dwelt there…. But those of his acquaintances who came, since he did not permit them to enter, often used to spend days and nights outside, and heard as it were crowds within clamouring, dinning, sending forth piteous voices and crying, “Go from what is ours. What do you even in the desert? You can not abide our attack….” But when stooping down they saw through a hole there was nobody, they were afraid, accounting them to be demons, and they called on Antony. Them he quickly heard, though he had not given a thought to the demons, and coming to the door he besought them to depart and not to be afraid, “for thus,” said he, “the demons make their seeming onslaughts against those who are cowardly. Sign yourselves therefore with the cross, and depart boldly, and let these make sport for themselves….” But he remained in no wise harmed by the evil spirits, nor was he wearied with the contest, for there came to his aid visions from above, and the weakness of the foe relieved him of much trouble and armed him with greater zeal. For his acquaintances used often to come expecting to find him dead, and would hear him singing, “Let God arise and let His enemies be scattered, let them also that hate Him flee before His face. As smoke vanishes, let them vanish; as wax melts before the face of fire, so let the sinners perish from the face of God…” And so for nearly twenty years he continued training himself in solitude, never going forth, and but seldom seen by any…. One day when he had gone forth because all the monks had assembled to him and asked to hear words from him, he spoke to them…: “The demons… first make an attack by temptation and place hindrances to hamper our way, to wit, evil thoughts. But we need not fear their suggestions, for by prayer, fasting, and faith in the Lord their attack immediately fails. But even when it does they cease not, but knavishly by subtlety come on again. For when they cannot deceive the heart openly with foul pleasures they approach in different guise, and thenceforth shaping displays they attempt to strike fear, changing their shapes, taking the forms of women, wild beasts, creeping things, gigantic bodies, and troops of soldiers. But not even then need you fear their deceitful displays. For they are nothing and quickly disappear, especially if a man fortify himself beforehand with faith….”

To delight me further there is this marvelous poem referencing the anchorite by Dorin Popa. I will be looking into more of Popa’s work. Link below:

http://duanespoetree.blogspot.com/2016/03/dorin-popa-writes_29.html

Now back to the hermitage…

The Thinking Reed : From the Hermitage to the Underworld, the Quest for Gnosis

I’m putting together two proposals for a solo show, this is one of the proposals:

greco_resurrection-of-the-fatherwatercolor( cover: The Resurrection of the Father , 2013)

The Thinking Reed: From the Hermitage to the Underworld, the Quest for Gnosis.

“Man is only a reed, the weakest in nature, but he is a thinking reed. There is no need for the whole universe to take up arms to crush him: a vapor, a drop of water is enough to kill him. But even if the universe were to crush him, man would still be nobler than his slayer, because he knows that he is dying and the advantage the universe has over him. The universe knows none of this.
Thus all our dignity consists in thought. It is on thought that we must depend for our recovery, not on space and time , which we could never fill. Let us then strive to think well; that is the basic principal of morality.”

Pascal, Pensées

 

 

 
This dignity is our greatest gift and our harshest burden, this awareness of how absurd our very existence is. Bird, beast or fish are oblivious to their insignificance ; we alone must confront this existential dilemma . We are left to comprehend this miracle we have been given, a gift given with the cruel understanding that it endures for only the blink of a god’s eye. We must then live this life fully , and as Pascal demands, ponder deeply and “strive to think well”
It is this Thinking Reed which I wish to examine with this body of work. Begun in 2013, it consists of drawings, relief prints, watercolor and oil paintings, drawn from a number of sources: the Popol vuh of the Quiche Maya to Flaubert’s Temptation of St.Anthony. These narratives are re-examined through a queer prism , reclaiming the canon as a gay man living in the 21st century.  Of varying sizes they depict a quest for “think(ing) well”, a search for gnosis -self knowledge.
The collection will include approximately 10 -12 pieces, work I envision hung salon style; in the ideal world, against a rich background (I will need to ponder the logistics of that desire). As per gallery preference, ultimately I leave that up to the jurors and the gallery, however the Center Room might prove an intimate setting well suited to the intricacy of the work. Much of the work is completed and ready to be hung; in the instance of enclosed drawings, they may be translated into a painting, a tradition which is part of my studio practice.

The works are as follows:
1- Cover: Resurrection of the Father
2013
watercolor on paper
18 by 24 inches

2- Gnosis…& the Old Gods Were Pleased
2014
oil on canvas
24 by 48 inches

3- Genesis
2014
oil on canvas
30 by 40 inches

4- Seizing Sanctimonium
2016
oil on canvas
40 by 56 inches

5- The Temptation of St. Anthony of the Desert
2013
oil on canvas
36 by 48 inches

6- The Temptation of St. Anthony of the Desert
2015
acrylic on paper
11 by 14 inches

7- The Apotheosis of Sophia
2014
oil on masonite panel
18 by 24 inches

8- Jonah
2016
oil in panel
8 by 10 inches

9- Herakles and Telephus
2015
watercolor and graphite on paper
9 by 12 inches

10- The Temptation of St. Anthony (of the Desert) at the Baths of St. Mark
2016
sanguine pencil on toned paper
18 by 24”

11- The Temptation of St. Anthony of the Desert (or , The Betrayal of the Pig)
2016
graphite and colored pencil on paper
18 by 24 inches

2 greco_gnosis_and_old_gods_pleased

3 greco_genesis

4 greco seizing sanctimonium

5 greco_temptation-of-st-anthony-of-the-desert (1)

6 greco temptaion-of-st-anthony-of-teh-desert7 greco_sophiathe-apotheosis-ofoil-copy8 greco jonah-20169 greco herakles10 greco the temptation of st anthony_bath of st mark11 greco the temptation of st anthony and pig

My second proposal is more conceptual and I would rather keep it under wraps until it comes to fruition. This one however consists of work I have posted before.

Wish me well.

LG