There comes a point that an artist just needs room, and storing works gets rather expensive, with that in mind I felt it time to actively try to offer my work to potential collectors. The link below will allow you to browse oil paintings, watercolor paintings, acrylic paintings, drawings, soft sculpted Stuffed Paintings-I will post more as I go through my files.
If you have any questions or requests for works not shown please don’t hesitate to contact me directly at firstname.lastname@example.org, I’d be happy to chat with you.
Link can be found on side bar under Available Work and here:
I haven’t posted in a bit, but my hands have been busy and so has my imagination. I’ve been making, clarifying and meditating upon the theme of Re-enchantment. I’ve mentioned before that my childhood was far from halcyon, more precisely grim in the lower case. Yet in spite of the anxious tension I was quite frequently in a state of wondrous enchantment. I had the good fortune to have a beguiling and magical woods behind our suburban home. A solitary boy, I spent hours in quiet delight, there was simply so much to explore : salamanders, bullfrogs, carnivorous pitcher plants, skunk cabbage, blankets of velveteen moss, fungi galore and most delightfully sweet and wise box turtles. Truly, who needed humans when such fairies and imps kept you company?
That enchantment has slipped a bit in my golden years, I stumble upon it now and then, in the garden, with my animal friends, but most especially in my studio (my studio is my sanctuary) but if I were honest, a great deal of my time is spent in pursuits far from enchanting.
Hence this interest in re-enchantment, in my work, in the studio and in my life. I am actively searching for the extraordinary in the quotidian, mindful and appreciative of the minor miracles of the day-to-day, the unfurling of the hairy leafed begonia, the topaz gold of a hornet, the diamond trail of the garden slug. My seven year old self was well aware of these delights, I’m in the process of being reacquainted .
In that spirit, a new body of work is emerging, I’ve coined it as Fairyfellers (inspired by the fantastic Victorian fairy painter Richard Dadd). Fairy-telling is my aim, visually expressing that wonder found in the gentler, enticing realm of toadstools, ferns and tadpoles.
The following are examples of some of my labors:
Much of my time has been spent just sketching out re-enchantment, my studio journals are full of spontaneous bursts of wonder.
This figure of the Mandrake Titus was inspired by my visit to the V&A, in particular the heraldic, near life-sized Dacre Beasts.
In particular the heraldic banners, I’m wild for banners in general, these beasties compelled me to design and stitch up my own.
The Mandrake’s cape was inspired by a detail from my latest painting (previous post). Cross pollination of ideas , across mediums, is a common occurrence in my studio.
Further experiments in “stuffed paintings” resulted in this elfin trio of Fairyfellers: Rufus, Derrick and Seamus.
I’ve also been busy working further upon paper-doll making (as fairyfeller an activity as you can imagine).
The last image of the daisy loin cloth betrays a bit of self censorship, increasingly I am re-evaluating how much nudity to portray. Not so much out of prudery, but I’ve heard myself described as a “penis artist”, and that isn’t my intention or interest. In this case I think the work is improved by the discretion, plus it is more playful; playfulness a key element of re-enchantment.
So far that is it in the Fairyfeller realm, more fairyfellers are on the way. Right now however I have returned to painting , stitching is hard work, my fingers begin to ache and the fabric and needle pricks have caused some damage to my fingertips. So for now this fairyfeller is at the easel.