Pop Surreal Playhouse: an Honor, a Tribute and a Note of Gratitude

 

It is always wonderful to be curated into a show, better yet if the curators are held in high esteem personally, the icing then is a favorable review (yet again by a someone you admire).

Such was my good luck.

I had the good fortune to be selected for Pop Surreal Playhouse , a group show curated by the deservedly lauded Greg Escalante and Wendy Sherman (sadly Mr. Escalante’s last show, having died only weeks prior to the opening). The Art Share LA opening of Pop Surreal Playhouse was bittersweet , whilst personally gratifying on a professional level given Escalante’s vision and influence locally, nationally and internationally (Pop-surrealism’s reach is global, just read his New York Times obituary); but it was bleak moment to be reminded that I would not be able to thank him personally.

I did however have the chance to chat with Wendy Sherman, a great supporter of the arts (including my own) ; we must treasure and frequently acknowledge these friendships given how fleeting our time is. Hoping Wendy knows how much I value her support and interest.

“Reflection of a Harsh Super Ego” at Pop surreal Playhouse, curated by Greg Escalante and Wendy Sherman (seems to be a typo in gallery banner).

So with all that I start this frantic week with a wonderful review by Betty Brown for Art and Cake. Brown is a art historian with an uncanny ability to connect the dots from seemingly obscure points in humanity’s cultural journey. That she so aptly “got” my work, my references and my intentions (when more than I few critics do not) was immensely gratifying. Thank you Betty and thank you Art and Cake for providing a forum dedicated to art in Los Angeles.

This is the review, great images of the exhibition within:

Pop Surreal Playhouse at Artshare LA

Opening night was festive in spite of it being a memorial to Escalante. I did not know the man but from recollections of the fellow, he seemed a man of high spirits. I hope he appreciated the turn out and the works offered by the artists as tributes to his legacy.

Pop Surreal Playhouse runs through October 22nd, if you haven’t seen it , it is well worth a trip to the Arts District.

At the opening, I was particularly delighted to see so many of my friends in the show and in attendance. This snapshot of my young friend, the talented artist Dakota Noot makes me smile. Dakota is perhaps my most glittery friend and I value the joy he and his work brings to the world.

 

Pop Surreal Playhouse runs through October 22nd, if you haven’t seen it , it is well worth a trip to the Arts District.

The author and the artist Dakota Noot at Pop Surreal Playhouse (my “Hellmouth Mask” over my shoulder.)

So much so that I’ve included his work in the next show I’ve “hosted” (curated sounds so pompous ). The show is called Hellmouth which will open this Saturday, October 14th, 7-10 pm at Ave 50 Studio here in LA. I’m very excited by the show, wonderful art including Noot’s fantastic Bacon Wants a Taste.

Dakota Noot
“Bacon Wants a Taste”
2017
Acrylic on canvas
30 by 30 inches

I will be posting about the show, its intentions and the fabulous art after its opening, but for now the gallery is ready and I will leave you with this image of Hellmouth.

Hellmouth, curated by Leonard Greco, Ave 50 Studio, Los angeles, CA, 2017

Of Faeries & Daemons

Detail from “The Reflection of a Harsh Super Ego”
2017
Mixed media

The last few weeks have been a whirlwind for me, I’m trying now, not very successfully, to collect myself.  Between the move into a new space, multiple shows and now an inferno has set upon the City of Angels, I find myself quite discombobulated. Now that I have a semblance of internet (thank you Hotspot, whatever the hell that is), I feel less adrift.

 To procrastinate, I’m enclosing a few images from recent shows, “Satan’s Ball” at Art Share LA and more recently, this last weekend’s “Fairyland”, my solo show at Ave. 50 Gallery.

“The Wodewose”
2017
Mixed media
Image by Stephen Levey

A pleasant surprise was meeting the photographer Stephen Levey who took some excellent images of my work. I was quite delighted to see how he captured the moodiness of my figures. 

“Adam, the Minotaur”
2016
Mixed media
Image by Stephen Levey

I’ve tried for some time to capture my first “Temptation of St. Anthony of the Desert”, Stephen, seemingly effortlessly, snapped a great image. 

‘The Temptation of St. Anthony of the Desert”
2013
oil on canvas
36 by 48 inches
Image by Stephen Levey

The preparation for the opening of “Fairyland” was daunting, with packing up the old studio, moving into the new and all the details that go into a transfer from one place to another, I was rattled. Particularly grateful to Dan Fernandez who handled my installation expertly.

Mr. Fernandez

In the end it all came together and the opening was just splendid…hot as Hadesville , but splendid.

The artist with “Goblin Market”
The artist with “The Reflection of a Harsh Super Ego”.
The artist with what matters most, his loving and supportive friends.

I was so touched by how many of my friends stopped in, in spite of a plethora of  competing openings, in spite of the gallery’s rather isolated situation and in spite of the terrible heat. In spite of that , the support was thrilling. Thank you my friends, friends I’ve known for awhile and to the new ones I’ve just met.

Art making is isolated work but it is the community one finds that encourages and delights. I’m pretty delighted at the moment…in spite of fierce Apollo.

With my dear friend Kristine Schomaker , founder of Shoebox PR; call her, really!

 

 

 

Final Post from Eagle Rock

Final days @ 1053 Colorado

As what had been a very delightful sanctuary becomes barren and littered with bubble wrap and pugs , I wanted to make one last post from my creative home of the last two years. Although eager to settle into larger digs, I will miss this place (particularly its excellent air-conditioning ). 

This is proving to be a busy moment in my life. The movers arrive this Saturday and that evening I have an opening , Satan’s Ball, a perennial favorite -I have five pieces in that show. I may be pooped after the move but looking forward to being part of the festivities at Art Share LA. Then my solo show Fairyland July 8th. Frantic, daunting, exciting.

I was delighted to be notified that my drawing The Rape of Our Mother had been accepted into the Brand 45 Annual National Exhibition of Works on Paper. I was particularly excited because the juror was Leslie Jones, Curator of Prints and Drawings at LACMA- my submissions were unmistakably drawings in that old fashioned way  and I having her validation was important to me.

“The Rape of Our Mother”
2016
colored pencil on paper

I had failed to mention that my painting Hadesville won 3rd Best of Exhibition at CEDARFEST 32, at the Lancaster Museum of Art and History, Lancaster, CA.

I was beaming with a goofy grin.

3rd Best of Exhibition “for the artwork titled ‘Hadesville'”

The day after the award ceremony Facebook rather magically reminded me of what the painting looked like a year ago.

This “memory” popped up.

June 17, 2016
unfinished

And a year later:

Packing has produced some novel still lives that I am eager to figure into compositions for new paintings, this being the most successful :

Accidental Composition, June 27th 2017

I’m at the end of my packing , I receive the keys to the new studio tomorrow morning. Much more to do but very eager to get back to work, be it stitching, drawing or painting, perhaps a relief print of two as well.

Feeling rather festive and optimistic!

June 2017

June is proving to be a whirlwind month for me, four group shows this month, plus I am preparing for a solo show in July  AND a studio move!

The following are the shows are lined up for June.

These are good problems to have!

Out There

Los Angeles Art Association & the City of West Hollywood are proud to announce Out There, a very special exhibition celebrating the LGBT experience during West Hollywood’s Pride Month festivities at Gallery 825.

In its 10th year, Out There is a key feature of Pride weekend, an annual event that attracts nearly half a million visitors to West Hollywood. Out There was juried by William Escalera and Francisco George and opens at Gallery 825 on Friday, June 9 and runs through June 16, 2017.

When: Reception – Friday, June 9, 6 to 9p
(runs through June 16, 2017)
Where: Gallery 825, 825 N. La Cienega Boulevard, Los Angeles, CA 90069

 

 

Crossing Boundaries:Engendering LGBTQ Identities

In celebration of Pride month across the nation, the Avenue 50 Studio takes great pleasure in announcing our upcoming exhibition in which the works of our LGBTQ artists are honored.

Featured artists include: Alex Constant, Ambre Aki Gonzales, Christopher Velasco, Efrain Torres, German Rubio, James Grey, Juan Solis, Leonard D Greco, Miles Hochhalter Lewis, Noel Alumit, Nora Rohman, Roberto Benavidez, Tiffany Syas, Wren Warner

Saturday June 10, 2017 from 7- 10 pm

Sponsored by Michael Wilson. Thank you Michael!

June 10 through July 1, 2017

 

Avenue 50 Studio, Inc., 131 North Avenue 50, Highland Park, CA 90042; (323) 258-1435
http://www.avenue50studio.org ave50studio@sbcglobal.net

 

 

CEDARFEST:32nd Annual Juried Arts Festival , jurors Nicolas Shake and Robin Rosenthal

Opening June 17th, 6-8 pm, show runs June 17- August 5 2017, MOAH:CEDAR 44857 Cedar Ave., Lancaster CA 93534

 

Satan’s Ball
A beloved and feared instant summertime classic, this year’s Satan’s Ball is a powerful, cheeky, unapologetic embrace of the dangers, demons, burdens, and temptations that beckon to the more sinful angels of our nature with the promise of magic, mystery, spells and shadows.

Opening June 24th, 7-10 pm, Art Share L.A.

http://artsharela.org

As I mentioned, I am also planning a move to a new and larger studio. Exciting but daunting, here are a few snaps of the place . The current tenant hadn’t yet moved out on the day the husband and I checked it out. We were both pleased with the northern light and sense of space.

The Wodewose

I finished my latest figure last evening, what I had heretofore been calling simply a rag-doll, I am now calling a stuffed painting.

 He is called The Wodewose.

Greenmen (andGreenwomen), The Green Knight, Wildmen and the archaic form, the Wodewose, fascinate me. They are at once pure of heart and spirit yet unbridled, carnal, the embodiment of our bestial selves. No wonder they appear so frequently in medieval marginalia; amidst sacred texts, randy hairy beastie-folk cavort and beguile.

I’ve turned to the theme multiple times. After reading Simon Armitage’s excellent  translation of “Sir Gawain and the Green Knight” I was hooked on the theme, a wondrously fascinating archetype; ripe for seemingly endless re-interpretation.

The Green Knight
watercolor and pencil on paper

 

This latest work is in the round and I was able to more fully develop his fleshy-ness ( and hairy-ness thanks to some found faux fur).

The Wodewose
2017
Mixed media: recycled rag, acrylic paint, twigs, thread and poly-fill
Approx. 40 by 22 by 6 inches

I was inspired to employ the Wodewose-Wildman archetype because of the recent celebration of Beltane on May 1st. Rebirth, renewal, the “pagan” appreciation of unbridled spring. My figure has two ways of presenting himself in order to more fully keep in the step with the seasons.

The first being flacid Winter Dormant:

And the second, lively Spring Renewal:

“The Wodewose” will be part of my contribution to “Satan’s Ball”, a group show at Art Share LA that promises to be an:

“unapologetic embrace of the dangers, demons, burdens and temptations that beckon to the more sinful angels of our nature”.

 I would replace “natural” for “sinful”.

a link to ArtShare:

http://artsharela.org

I’m going to close with a few random images of Wildfolk that never fail to delight me. As I leave for Pittsburgh tomorrow and rain is supposed to be in order, I’m looking forward to a wild rush of greenery (and perhaps a few fauns).

The Magdalene

 

“The Magdalene”
2017
mixed media: painted recycled fabric, embroidery floss, artificial foliage, polyfill
approx. 26x19x6″

I am happy to say that I have finished my latest figure for an upcoming group show here in the Los Angeles with a theme of “Bad Girls &Outcasts”. I’ve made about five pieces for the gallerist to consider and this soft sculpture figure is my latest.

As I continue on this practice of “painting-sculptures” I find myself more and more drawn to the possibilities of figures in the round. The making of these figures being immensely gratifying.

 

This particular figure was directly inspired by a relief print I had made before crafting The Magdalene. Perhaps its gimmicky but that print will accompany the figure when she is presented to collectors.

 As with much of my work one thing leads to another, this small print leading to another more complicated and I believe, more successful print, of the same subject.

The Magdalene, 2017, three plate relief print on paper, series of five

It will also be presented at the gallery.

The Magdalene has been a figure of fascination since my boyhood, searching out her familiar red hair and raw tears in countless museum visits throughout my life.

Her renunciation of worldliness in order to be closer to the God who left her behind stabs my heart every time. I’m of course playing loose with history and church tradition, but that is the  emotional effect, one of abject abandonment, that moves me so deeply . In many ways, she reminds me of Dido and her awful lament.

 Of course, at least according to Church tradition, she is ultimately reunited with her Savior , often depicted ascending heavenwards garbed only in her anchorite-wild hair. This visual tradition of presenting The Magdalene as a Wild Woman is also extraordinarily interesting to me.  She is in effect the corporeal equivalent of the divine other-wordly Blessed Virgin.

That old trope of Virgin and (Redeemed) Whore.

This resonates for me in that it allows exploration of the Old Gods and the New and how we , as a society , have tried to synthesize these elements in a cohesive and manageable way. I love both the BVM and The Magdalene, but personally, I feel closer to the latter.

Following are a few (unattributed) images of MM that I treasure.

(this is I believe, her reliquary , at least that what my what I noted)

Below is info concerning the show, if in LA, please visit.

The Unconscious , Tapping Trauma

 I am working on a series of pieces for an upcoming group show devoted to the maligned women of history , folk tale and myth . The show is called “Bad Girls”.  There are plenty of so called Bad Girls to choose from and I’ve selected a few that have resonated over the years : Salome , Mary Magdalene, the three crones from “Macbeth”. 

My studio progress which had been going well has been interrupted a bit ( even this post , ordinarily made from the comfort of my studio , is now made from my IPhone at my breakfast table . 

My little dog Rose is very sick . We nearly lost her over the weekend and her recovery is arduous and fraught with worry . My time and my emotions are occupied with her recovery . 

That said , I did manage to bring all the pups to the studio yesterday and put in a few hours . Rose’s whimpering abating , the anti anxiety meds kicking in allowing me some time to  focus. 

What I focused upon was the Mesoamerican moon goddess Coyolxauhqui, link below :

https://en.m.wikipedia.org/wiki/Coyolxauhqui#/media/File%3ACoyolx%C4%81uhqui.jpg

According to the legend this unfortunate goddess for reasons complicated by patriarchy and misogyny,  is mutilated beyond recognition. Forever memorialized in the monumental disc bearing her image found now at the Templo Mayor museum in Mexico City . She is a powerful figure.

 I worked rather feverishly yesterday as I knew my time was limited before Rosie became restless again needing my attention and the result thus far , is the corpus of the goddess found above . I myself was struck by the pathos of the being . 

As usual with my dollmaking I hadn’t filtered my emotions for mechanics; the figure emerged on her own . And after I held her broken body and posted her image online , only then , over dinner with my husband ( the psychotherapist) did I realize that my Coyolxauhqui was in fact Rosie.

 This should have been obvious , Rose has an amputated rear right leg and now a near lame right arm- she is essentially an invalid . That the doll is nearly life sized to my sweet pug is also an unconscious similarity. 

I’m of course completely absorbed with Rose’s needs , we both are . David , a medical doctor’s son is particularly adept in assessing in a calm cool manner; but he has his own work , patients of the human sort wrestling with their own traumas . 

As the artist with a more flexible schedule, nursing is for the most part, my duty . I’m so happy she is alive I am grateful to have this second chance . But it’s hard , she cannot eliminate on her own , fights me ferociously over her bitter pills and the whimpering, not consistent, but when she does whimper , it breaks my heart in half . Believing myself to be impotent , useless .

 This is Rosie yesterday , a better day ( after a fraught night ) , shopping for new bedding and nursing paraphernalia. She loved the attention , her tail wagging with enthusiasm.

 Today, after her follow up at the hospital ( it’s predicted to be a lengthy recovery , six months or so of this schedule), I plan to head to the studio and meet my other  obligations to the show , my work and to myself .

 The following images are of my progress thus far: 
Wish me luck.

Update, finished! and Rose is steadily improving!

“Coyolxauhqui Reassembled “
2017
Painted recycled fabric , feather, polyfil , thread , spit and glue