Studio Sale Offerings

The following images are of available art that I have discounted for my upcoming studio sale; generally about half of the regular studio price-some even  more deeply discounted due to storage and shipping concerns.

My moving sale will be Saturday July 16th, I would love to see folks in person. If you cannot make it certainly reach out to me (cell 310-498-0817) and we can make arrangements . Payment plans considered, my aim is finding new collectors and  good homes for my work. Reach out should you have any questions. Sorry to say , pick up only, I am not available to offer shipping right now.

With that in mind, thanks for considering my work.

The Temptation of Saint Anthony of the Desert
2013
oil on canvas
36 by 48 inches

This is my first of many Temptations, Anthony is a self portrait. Originally listed at  $3500.00 now available at $2150.00 (unless my husband asks me to keep it ).

The Apotheosis of Sophia
2014
Oil on panel
24 by 18

Originally listed at $2100.00, now $1250.00

The Presentation at the Temple
2014
oil on canvas
40 by 30 inches

Originally listed at $1600.00, now $450.00

The Resurrection of the Father (watercolor)
2013
watercolor on paper, framed, under glass
18 by 24 inches, unframed dimensions

One of the earliest Popol Vuh works, originally listed at $2400.00, now $800.00, handsomely matted and framed.

Icarus
2013
Watercolor on paper
18 by 24 inches, unframed dimensions

Icarus is handsomely matted and framed, was $1800.00, now $400.00/SOLD

Resurrection of the Father (oil)
2013
oil on canvas
40 by 50 inches

Large, striking canvas of the Hero Twins,originally  $3200.00, now sharply reduced for swift sale $500.00

Castration of Uranus
2015
Watercolor and graphite on paper
11 by 14, unframed dimensions; matted and framed

Definitely NSF , also nicely matted and framed (I keep framers busy), was $1800.00, now $500.00/SOLD

Patroclus Fallen
2013 or so
Pencil on paper
23 by 29 matted and framed

Again, handsome presentation suitable to a Homeric hero, matted and framed, was $1100.00, now $350.00/SOLD

The Anointing
2015
acrylic on paper
20 by 28 inches

 

My Hero Twins are also nicely matted and framed and attractively priced, originally $1600.00, now available for collecting $750.00

Herakles & Telephos
2015
watercolor and graphite on paper
12 by 9 inches, the unframed dimensions

I really like the framing and matting on this work, a playful pink matting adds  just the right over the top touch for a mighty macho fellow. Was $1600.00, now $800.00

Jumping Tlaloc
2015 or so
acrylic painted cardboard, brads, twine.
The size of a small man

Of a series of oversized jumping paper dolls, pull his string, he does a little jig. He is a little shop worn (he is cardboard, his right hand slightly wrinkled). He was $500.00, now $150.00

Lavinia
2015
acrylic on canvas
20 by 16 inches

Lavinia and Second Apparition below were part of a series depicting favorite scenes from Shakespeare’s dramas (Titus Andronicus and Macbeth).

Lavinia was $800.00, now $400.00

The Second Apparition (of Macbeth)
2015
acrylic on canvas
20 by 16 inches

This scene from Macbeth priced as above, was $800.00, now $400.00

Coatlicue
2013
oil on canvas
36 by 24 inches

One of my early Mesoamerican themed paintings, Coatlicue the mother of the war god Huitzilopotchtli, frequently  compared to the Virgin Mary of the Aztec pantheon. Originally  inspired by a dream, initially listed at $1600.00, now $450.00

The Great War God Huitzilopochtli
2015
oil on canvas
12 by 8 inches

Speaking of the Great War God Huitzilopochtli. this small but mighty painting is a fitting companion to the fiery Madonna and Child above. Was $900.00, now listed at $450.00

Strange Fruit (Popol vuh series)
2013 or so
oil on canvas
30 by 20 inches

Early work exploring the mysteries of the Popol Vuh, was $1600.00, now $400.00/SOLD

The First Popol Vuh
2013
mixed media
24 by 36 inches

The very first of what would be many Popol Vuh works, of Hero Twins, Death Gods, Xibalba the Maya Underworld, martyred Maize Gods, this a theatrical mixed media spectacle . Never before listed let alone shown, lets say $400.00

Philoctotes
date unknown
oil study on cardboard
24 by 18 inches

I have quite a few studies and daubs such as Philoctotes above, most priced at $75.00 or so. I also have quite a few drawings and studies for browsing and most likely  gifting.

I hope to see you there, again, the date is Saturday, July 16th, 2022, between 11 am and 3 pm at my studio, 6404 Wilshire Blvd., suite 1030 (not far west from LACMA). The building is locked most of Saturday so give me a ring at 310-498-0817 and I can let you in. I can let you in for parking as well.

 

 

 

 

Lavinia, her chance to shine?

Lavinia
drawing by Leonard Greco

Rather curious email I just received , from a film producer , inquiring as to if I held the copyright to this image. As it is still in its notebook, I suppose I do. What I find so curious is how this producer (and director , who has made films even this hermit at least recognizes), found this image. I have little memory of sharing it, aside from this studio journal-are people really reading this thing ???

Odd how exposed I feel.

Anyway, they wish to use it as part of the set decoration for a film loosely based upon Lavinia and Titus Andronicus, I agreed. As long as credit is given, I am delighted.

I love Lavinia, I’ve turned to her before as in this acrylic painting from 2015.

Leonard Greco
“Lavinia”
2015

I think I need to re-read that magnificent, complex and horrifying play, this rainy LA day the perfect time to do so.

Lavinia Seeks Solace at the Court of Coatlicue

The following painting is an experiment on several levels.  I’m experimenting with a new paper from Arches called Huile oil paper which is designed specifically for oil painting. Anyone who paints in oil knows that working on paper is frowned upon as it is not archival. Secondly I am experimenting with the Surrealist technique of automatic drawing and painting. The following painting is the result.

IMG_6231 Lavinia Seeks Solace at the Court of Coatlique

2015

oil on Arches Huile paper

15 by 22 inches

It is an absurd image composed of seemingly random characters, but there is a free- associative logic to it all…at least from my perspective. Lavinia (from Shakespeare’s  Titus Andronicus) in a dream state, wanders into the court of the Aztec goddess Coatlique, She of the Skirt of Serpents … and a pretty fantastic necklace composed of skulls, hearts and most importantly, hands! A bit of gallows humor perhaps, but I didn’t think it out too much. I allowed unconscious  instinct to direct the composition.  The following is Coatlique taken from our trip to Mexico City.

p1000331-copy

One of the things I really enjoy about taking classes outside of the discipline of art is the opportunity to free my mind and doodle with abandon. My judgmental brain is turned off and my hand flows across the page. They are not great drawings by any means, often ridiculous; but I find in them a nonsensical spontaneity that  I value and want to integrate into my work more often.

The following are samples taken from an English Composition C course that I recently finished.

IMG_6232

IMG_6233

IMG_6235

This might be my last post for awhile until I leave for my Philadelphia critique course at the Pennsylvania Academy of Fine Arts. I have obligations I need to tend to before I leave on Independence Day. I’m nervous and excited, I’ve never been away from David (or my dear dogs)for such a long stretch; but to have time just for my work is an amazing opportunity.

Until next time, be well, LG

Lavinia, she is haunting me

I have been reading the plays of Shakespeare, Hamlet, Macbeth, Othello, now Richard III, but it is Titus Andronicus that has stuck with me, most particularly the tragic Lavinia. It is such a terrible and bloody tale that I would rather not revisit it yet I feel compelled to somehow honor Lavinia. To capture the brutal chaos that was her life. The following, a spontaneously  dashed off acrylic painting on canvas is one attempt.

IMG_5914

Lavinia

 2015

acrylic on canvas

16 by 20 inches

I wanted to avoid the obvious ( and seductive) bloody approach; instead I focused on her claustrophobic impotence, the pawn of so many men. And although there is tenderness shown towards Lavinia and empathy for her plight, as when her uncle,Marcus Andronicus, after her terrible rape and mutilation attempts to soothe her with: 

Do not draw back, for we will mourn with thee:

O,could our mourning ease thy misery!” 

Act II 4, 56-57

There is this tenderness, this paternal, fraternal love yet she has no say-literally. And in the end, well the end , how does one deal with it all?

She haunts me, this sketch I made just last night before I went to bed.

IMG_5918

I’m toying with the idea of making a hand puppet , perhaps. I also wouldn’t mind not thinking about it.

Be well,

Lg