However I have been in contact with the gallery and tentative plans are being made to have an actual opening. Fingers crossed I will be in Wales, a first, to see my work in what is for me its spiritual homeland.
The works accepted both deal with folk and fairy lore, deeply rooted in the Celtic imagination ; the first being Robin Goodfellow and the second being Goblin Market (inspired by the Christina Rossetti poem of the same name).
Given the possibility of the show actually going on , I need now figure out how to get these rather large works to Wales. I’ve been in conversation with the very helpful RCA staff and will be working with them through shippers here in LA. I am now researching my best options (any suggestions most welcome); making large scale works has its satisfactions but schlepping them about, particularly overseas, feels quite daunting.
It was a great relief and satisfaction earlier last week when I saw four of my works , carefully packed, pull away from the storage unit (where they have languished in the dark since my 2019 solo show Fairyland at MOAH/Cedar) heading forward in the nifty MOAHmobile to the permanent collection of the Lancaster Museum of Art & History (MOAH) https://www.lancastermoah.org
With our upcoming moves, this new chapter in our lives, a new home in Chicago, the sale of our beloved Little Hermitage, renting an apartment in LA, so much needed attention, a prioritizing of intention and a matter of settling affairs. I cannot deny that I know this next chapter, the Chicago period, is most likely my last. The previous chapters have been abundant and I have had the good fortune and opportunity to be rather productive; but that productivity , particularly the works I created for Fairyland
have been larger than my domestic life can easily accommodate (not to mention collector’s).
With this realization in mind, I have been determined to get my work out there, I’ve been encouraging collectors with reduced pricing on selected works (link above in Available Work), and I also want my work to be in permanent public collections. Having had the good fortune to have a solo show at MOAH/Cedar,https://www.moahcedar.org/exhibitions-1/fairyland
MOAH seemed a natural fit. Happy to say MOAH felt the same way, for that I am grateful . When I made the initial inquiry I felt quite nervous, a bit like the goofy nerdy boy asking the pretty, most popular girl to the prom. Thankfully the pretty girl said yes.
The works included were the first two offered, The Anchorite’s Armchair (2019) and Lilith,the Mandrake (2018), the anchors to my installation Embodied: St. Anthony & the Desert of Tears:
With these works enthusiastically accepted, I was gratified that there was interest in other works as well. With that in mind , two other pieces, another textile piece and an oil painting (also created for Fairyland) were selected :