Of Vermin and Fig Leaves

flea w fig

As I attempt to develop some sense of presence of myself as an artist, I find myself turning to social media. Be it Instagram, Facebook, Twitter or this studio journal, I am becoming increasingly aware of what is and what is not appropriate to post. As much of my work depicts nudity, posting full-frontals has the potential of censorship.

 My latest paper doll-jumping jack Self Portrait of the Artist as a Flea is unabashedly nude. The nudity was a big “fuck you”  to the bigots and the nasty folks who hate us , particularly important  after the Orlando massacre. Queers have been treated like vermin for so very long, by fashioning myself as a flea I embrace what they find so vile.

That sort of righteous anger is all well and good but will it work on my Instagram feed?

Hence the fig leaf.

Now for the sans fig leaf.

flea without

Self Portrait of the Artist as a Flea 

2016

pencil and watercolor on paper, brads and string

22″ high by 16″ wide

He is a funny character, when he jumps he twitches awkwardly, I like him a lot, just not sure which I prefer, the figged figgy or the unfigged (we call fleas “figgys” in our house).  

A problem with nudity is of course not new and I had my encounter with censorship a few years back when the city of Encinitas CA refused to hang my painting Gnosis and the Old Gods Were Pleased unless the female character was made more discreet – for some reason the male junk seemed a-ok. 

greco_gnosis_and_old_gods_pleased

Gnosis and the Old Gods Were Pleased

An artist I admire quite a bit , Milo Reice ( link to his site: http://miloreice.com/MiloReice/intro.html) who I discover happens to be a neighbor, has explored censorship and the fig leaf archetype in his own work. In his words  concerning the following image :

“A detail of a recent work of mine where I was lampooning censorship- underneath everything is thoroughly painted – the appliqués held on with magnets”

 A brilliant solution to a vexing problem by a magnificent artist. Check out his website above!

13407046_10209728556472774_7440888025950508672_n

Of course there are times when foliate discretion adds to the allure as in Canova’s  hunky Mars, who in this 1822 sculpture Venus and Mars. One rarely encounters such provocative undergarments outside of a go-go boy club.  

Venus and Mars. Antonio Canova. Italian. 1757-1822

Antonio Canova

Venus and Mars 

1822

But so it, perhaps an ostentatious fig leaf is in order. If so, I am in fine company. My boyhood hero introduced a ridiculously over sized fig leaf to the  ephebe valet  in his Enter Herodias ( from a Salome folio, first published in 1894) after  there was criticism to the boy’s boy-bits. Not sure which image is more profane ; not to mention the grotesque  fetus-like attendant with his enormous boner.

Without the fig:herodias

and with:

E.430-1972 Salome, Plate IX- Enter Herodias from a portfolio of 17 plates; by Aubrey Beardsley (1872-98); published by John Lane; English; 1907. Line block print.
E.430-1972
Salome, Plate IX- Enter Herodias from a portfolio of 17 plates;
by Aubrey Beardsley (1872-98);
published by John Lane;
English; 1907.
Line block print.

Both are delightfully perverse, horny candle sticks and dear Oscar as master of ceremonies. Source:http://collections.vam.ac.uk/item/O1110742/enter-herodias-a-portfolio-of-print-beardsley-aubrey-vincent/

I want to close with a beautiful prayer to the queer and the unwanted. In the aftermath of the Orlando shooting the internet was awash with support and queer empowerment . This prayer by  Mark Aguhar, who apparently killed him/herself ( I believe the author was transgender) wrote this beautiful Litany to my Heavenly Brown Body. I need to research Aguhar more thoroughly but felt it a fitting close to this post.

Mark Aguhar, %22Litanies to My Heavenly Brown Body%22

Author: babylonbaroque

I am a painter and printmaker working towards creating a body of work that reflects my own developing aesthetic. New work ,first link. The second link is an on-line portfolio.

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