Author: babylonbaroque

I am a painter and printmaker working towards creating a body of work that reflects my own developing aesthetic. New work ,first link. The second link is an on-line portfolio.

Orpheus’ Lament

IMG_7592

This morning I put the finishing touches on my Orpheus “tapestry”, a large, unbound canvas that I started during my summer stint at PAFA. It is my largest studio painting yet, when I was a decorative painter my work could easily exceed thirty feet or so ( and many stories off the ground) but my studio work thus far has been restricted by the parameters of my work space. PAFA offered me four empty walls, seemingly endless possibilities . 

IMG_7582

Orpheus’ Lament

2015

acrylic on unbound canvas

59 by 93″

Due to the size of the painting (and my own ineptness) I cannot seem to adequately capture the entire image without some sheen and loss of detail, so I will post detail shots:

IMG_7591

(my homage to Redon and Fred Stonehouse)

IMG_7594

Merman, I like this fellow, he is rather sexy.

IMG_7588

This fellow, actually his eye, was the only element of this painting that was considered redeemable by the faculty critique at PAFA. Apparently I am still nursing wounds. Since leaving the program I have had quite a bit of existential angst , have I any right (or abilty) to declare myself an artist. My consolation has been to just work as honestly as I can, and see what happens.

IMG_7593

I listen to far too many podcasts while I work; for those who have enjoyed the podcast Welcome to NightVale , they might recognize the winged character watching over Orpheus.

IMG_7584

I like this fellow-frankly I like them all; hence the somewhat dizzying composition. They become family, I can no sooner eliminate them then I would flesh and blood friends.

IMG_7596

My only formal training is that from a Russian iconographer , that is abundantly clear by this character, who has become sort of a personal avatar.

IMG_7595

IMG_7590

These two are inspired by Greenmen , the universal bond of man and the natural world . That bond is the basic inspiration for the painting, a favorite theme, one that has been explored many times over, Orpheus’ playing upon the lyre and so moving the natural world, that all manner of flora and fauna gather at his feet. Trees uproot themselves and mountains roll towards him, all weeping at the bitter sweetness of his song. This Roman mosaic captures that moment beautifully .

Roman mosaic depicting Orpheus Phrygian surrounded by the beasts charmed by the music of his lyre

 This large painting was first a simple watercolor of faun, but it provided unexpected inspiration when I found myself in Philadelphia without my usual “crutches”, namely my large resource library. A library that is often a boon and sometimes a curse.

IMG_7579

While in Philadelphia I would often visit the Philadelphia Museum of Art, passing by the monumental 17th c. tapestries designed by Rubens. The scale and the color palette provided much inspiration. I particularly admired how the waves were translated in the weaving.

IMG_6852All in all I am satisfied with this painting, I’m rarely (ever?) completely satisfied but when I feel I have gone as far as I can with a painting then I consider it finished…for the time being. I will go back to oils, but I was happy that I persevered with acrylics for this painting. With the weather here in LA now not so wretchedly hot I was better able to manipulate the medium. When I left Philadelphia I could barely look at this painting (or the others I had started), but now I feel I absorbed what I could from the experience and feel I expressed myself as authentically as possible . The final image is of the painting before I shipped it to LA.

aug 12th 2015

August 12th 2015

For those in the States I close with an amazingly appropriate Thanksgiving image. I feel as if I could have painted it. It is courtesy of the great artist Judith Schaechter and her ever-amusing Facebook feed. It is particularly appropriate to end with her in mind because she offered me such support and insight while at PAFA. A great inspiration and an incredible artist.

IMG_7578

The Proposition

20the proposition

The Proposition

2015

oil on panel

8 by 10″

I just finished this painting moments ago; it is a companion to a relief print bearing the same name.

IMG_7393

Now off to tend to the beasties.

IMG_7527

 Post Script: kind words concerning this painting my my new favorite podcasts Pleasure Town.

cfc35a31ef159e10c6023b316c8ae90f

Link: http://pleasuretownshow.com/blog/

Amongst the Quick and the Dead

  Last evening we were at Hollywood Forever cemetery with two of our dearest friends ,Ken and Ed- if there was ever a reason to stay in LA , these fellows are it. Great fun and if LA is the Land of Misfit Toys, last evening they found their home . We four were woefully underdressed ; next year we must don gay apparel. The following are some happy memories:
   

    
    
    
   

  

  

  David and I were thrilled to run into friends. We have been Angelenos long enough to actually recognize friend in the vast crowds !
  Much gratitude .

   

    
 
Post Script: Richard, ” friend ” me on FB, under Leonard D.Greco Jr. 

A Proof for Jim

As I run  proofs of a new plate I have just finished cutting, I am reminded of the man who taught me all I know ( or remember) about printmaking, Jim Machacek, who recently retired from teaching printmaking at San Diego community colleges for thirty years. I find myself fastidiously looking for errant marks, unnecessary details and the quality of the inking. I can hear him griping out loud to the class “TOO much ink!”- too much ink makes a muddy print and was the bane of his teaching career apparently. But as I run my fifth proof, nearing the end of the editing (I think), I’m deeply grateful for the rigor Jim instilled in me.

This proof, for a new print The Proposition is for Jim’s approval.

IMG_7393

 The Proposition

 2015

relief print on paper

10 by 14 inhes

This has been a tricky composition for me, layering the figures, adding shadows in two colors but I am going in the direction I had  hoped for. I initially thought of employing a separate plate for the shadows but after looking at German Expressionist prints I was inspired to more fully utilize the drama of black and white. I may still make separate color plates for contrast color but I’m pleased with this print. I’m glad I have Jim in the back of my mind guiding my cuts.

Thanks Jim.

IMG_7386My teacher and friend Jim Machacek taken at LACMA this week, in front of Noah Purifoy’s The Spaceman. I’m happy Jim drove up from San Diego, battling insufferable traffic, to visit me; I’m hoping to see him soon once again on his turf.

Back at the Press

  Since having my press dropped during my recent studio move I have psychologically avoided it and print making in general . Not too long ago John Greco from Josephine Press in Santa Monica ( John is not  a relation but a talented artist and excellent fellow) made a visit to my studio. After tinkering and calibrating he determined that aside from some superficial dings , she was ready for business .

 The following are the my first stabs at relief printing , it is amazing how rusty one feels in just the shortest amount of time . The two following prints are quick little cuts:

    Moonscape

Relief print on paper

9 by 12 inches , series of four artist’s proofs

  ID-iot

Relief print on paper

9 by 12 inches , series of six

The above print , “ID-iot”, was inspired as is so often the case by an absent minded doodle that happened to tickle me. I work fast to capture the  spontaneity of the  original .

   I was eager to fiddle about with lesser prints  because I am about to start a more complicated composition  and wanted to feel a little more confident before I put knife to Lino. It is going to be multiple plates, I’ll post when completed.

  Peaceful day at the studio, added sweetness as my Rose is my studio mate today. She had an appointment at the vet and tagged along afterwards . She loves the one on one attention and I love having her here.