Boondocks Babylon

I never really know how my work will be perceived, I try not to think about it. My work is earnest , often with a degree of what I hope passes for wit , but is never intended to be ironic . I work diligently and sincerely on all my work. Perhaps I am humorless, too dour , but I put my heart into the work.

So with this in mind I was taken aback by an emoji “comment” (is an emoji really a comment?)  made recently  on my Instagram page after having posted this recently completed self portrait. I really dislike facial expression emojis , I earnestly try to avoid them, trusting my command of language will properly convey my intentions .

Of all emojis the one I dislike the most is this one : 😂.

I find it infuriating. It seems to embody the moronification of society in general and Los Angeles particularly.  To garner public approval most everything needs to be a joke – a sarcastic , mocking joke laced heavily with irony is most desired . And so this painting was received. I must put this in perspective, it was a single post , by an artist who from his IG site we learn that his specialty is “big dicks and wet c#nts”- so we are speaking of a quite the gentleman. But of course the gentleman in question possesses youth , is handsome , fit and talented in a Tom of Finland. He has well over ten thousand followers and to attest to his smug arrogance , follows no one in return . Oh , and he paints shirtless to better display his artfully paint be-speckled pecs.

I mention all this because my initial response to his puerile emoji comment was to be affronted. I even blocked him in my disgruntledness for a few minutes . But then I realized just how perfect this comment was for a painting, a self portrait, intending to skewer/reject worldliness . If I paint myself as a Holy Fool ,albeit in the self conscious irony I generally reject , I need to expect some hecklers . So from wounded-ness I now possess a degree of pride in having elicited a reaction from just the sort of shallow nincompoop Anthony sought to avoid.

 

This painting started out, as so much does, unintentionally. My daily studio routine generally starts with automatic drawing . I try to not focus on any particular reference material , or getting details “right”, just the free flow of ideas inspired from who knows where . Such was the case of this sketch made I am guessing close to seven years ago while living in San Diego – a difficult period in our/my life .

I hadn’t intended for it to be a painting let alone an allegorical self portrait, yet there was something about the dashed off drawing that beckoned further exploration. So a few months back I decided to revisit , revise the by now , quite familiar theme of St.Anthony of the Desert, his temptations and my appropriating his reality .

 

The painting went well nearly from the start , each element revealing itself to me , and in this period of plague isolation, quarantine an anchorite would find familiar and social unrest akin to third century upheaval , it felt a timely theme.

What follows are the details .

 

Seated upon a memento mori throne , I was inspired by a stuffed and stitched example I made awhile back for another Anthony inspired tableau- the circle continues .

 

Detail of accompanying figures that I haven’t particularly explored the meaning of : Hirsute Giant, Druidboy and Millefleur Boy ( a favorite).

 

Yesterday’s automatic drawing shares the theme of the painting , a memento mori reflection prompted I know by personal concern . David spent much of this week in the hospital, heart concerns , a procedure was needed , we were of course concerned. It appears all went well, fingers crossed , candles lit , novenas uttered , he will be on his way to good health. He is resting now , Viola a lackluster nursemaid , but he’s home .

There isn’t an emoji to express my gratitude.