Ashes and Soot

  Given it is the Lenten season it might be appropriate that there is sooty charcoal all over my face and hands . But not so much a result of extreme penitence but instead a day of working with charcoal and graphite . This post is a sampling of today’s progress.
   

   
 I am taking a life drawing course with the excellent artist Jim Morphesis and in just a few weeks my drawings have become more confident . Plus I’m just relishing drawing and my productivity is up.

 So thanks Jim!

   

St. Kevin & the Blackbird

 

Nearly two years (January 24th specifically ) I started this small panel painting. Having been introduced to the saint through the Welsh artist Clive Hicks-Jenkins’ depictions of the holy man, I was then inspired by the late Seamus Heaney’s incredible poem of the saint and his feathered visitor ( Link : http://www.poetryarchive.org/poem/st-kevin-and-blackbird). But for some reason the inspiration waned and I stashed this little panel away until only recently, picking it up again last December. I believe he is now complete.

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St. Kevin and the Blackbird

 2016

oil on panel

12 by 12″

When I started this painting a few years back I also carved a plate of the saint from which this painting is inspired. I believe it is the first of what is now becoming a dual practice, making a painting then a print (or  the reverse).

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I will now get back to a few other unfinished paintings; I always have far too many unfinished works, doodles and sketches of paintings I would like to make. Daunting at times. I am now enrolled in a life drawing class with the painter Jim Morphesis an artist I admire very much. Jim had awarded me a prize last summer for my painting Genesis and I was eager to thank him AND crash his course. Happy to say I have been added. So I am looking forward to that experience, a model at every class , always a luxury. Until next time, be well.

New Print: The Proposition

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The Proposition (red)

2016

relief print on paper, 10 by 14″

series of eight

$300.00

I am rather pleased with this print, once again utilizing the pochoir technique in addition to a cut plate.The alignment is pretty good and I feel it has a satisfying composition of color and line that I admire in German Expressionist prints ( and film).  I am also enjoying taking a painting and making a print of it ( or the other way around).

The Proposition 2015 oil on panel 8 by 10"
The Proposition 2015 oil on panel 8 by 10″
Initially this print was printed in black which I like but I delight in color.

The Proposition 2015 relief print on paper , image size 8 by10"
The Proposition 2015 relief print on paper , image size 8 by10″
I sense I am going to be returning to commedia figures in this upcoming year as they seem to keep popping up in my random sketching . They have long fascinated me since boyhood and I look forward to further exploration.

Metamorphosis 

   As the year comes closer to an end I have tried to finish up a few unfinished projects and reflect upon what I have accomplished and what has gone unexpressed . My intention was to at least finish up a small panel of St.Kevin but then the last of my monarch caterpillar went off to seek their fate and my heart was heavy with worry. So to channel that worry I went to work on a drawing , this is the result .
    The Apparition of the Great Sphinx of the Night

2015

Graphite on paper, approximately 18 by 24″

In 1940 Andre Breton sponsored an exhibition in Mexico City called the International Exhibition of Surrealism; Isabel Marín was dressed in white with a giant butterfly gracing her fine head . It seemed a fitting theme to riff upon while fretting over our dear caterpillars. May the gods watch over them and may they flourish.

  Merry Christmas and a most fulfilling new year!

The Green Knight

Last week I ran a proof for a new print inspired by the Sir Gawain and Green Knight narrative. Initially the print was going to be a multi plate affair, a technique I thought I had mastered somewhat. But after multiple runs I became increasingly dissatisfied with the results ;  The Green Knight proofs were consistent only in their inconsistency: the colors were not aligning , the ink was spotty and “snow-flaked”. I strive to achieve consistency when I run a series, something that was drilled into by my instructor Jim. So I decided to turn to a technique that Jim was less than enthusiastic about, pochoir, or more simply , stenciling . Jim felt it not quite printmaking in some way, and I can understand his resistance. Yet, with this technique I was able to accomplish what I was searching for , color, color that was within the defining lines of the image. A certain degree of wonkiness in printmaking can be desirable but what I was producing just looked like I didn’t know what the hell I was doing. This is the final artist’s proof of The Green Knight. He seems particularly suited to the winter holidays.

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The Green Knight

2015

pochoir-relief print on paper, artist’s proof

image size 8 by10″

The misalignment that frustrated me is apparent in this image.

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I had far preferred the simple black and white print, yet he is the Green knight.

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The  pochoir process is satisfyingly craft oriented, I was able to utilize techniques and tools from my decorative painting career.

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To now have a desk full of proofs is satisfying, I will run a series in the new year, brightening the green and using the darker buff. I am also going to utilize the pochoir technique when I run my recent print The Proposition. I hope to produce prints that are more vibrant AND aligned in the future . At the same time cutting back on production headaches as cutting stencils is far easier than cutting lino. My only new year resolution is to actually make and hopefully sell some prints, pochoir-relief prints may be the answer. Until next time, be well.

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The Prodigal Painter

After  some time away (nearly two years) from this painting of St. Kevin , neglected and relegated to closets and storage  boxes , I have at last returned to it. And it seems to be painting itself. I’m calling it a night as the beasties are getting restless, but this is why I paint, those rare moments of paint gliding across the surface and all is well with the world.

I look forward to returning to this painting, I hope the magic continues.

Good night.

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 St Kevin & the Blackbird

oil on panel