Kinship

 

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I understand the griping I hear so often about the  social disconnect our society is enduring because of  time  spent online: cell phones ever in use narcissistically snapping “selfies”, the inane chatter, the mindless games. I’m the first to chime in when I see the  abuses, but there is also a certain magic to it all. I have “met” from my  often lonely studio some truly incredible people, folks I would most likely have never met, or had the confidence to introduce myself to.

This year has been a wonderful year in that I have actually met two “virtual” friends. Earlier this year I met my friend Carla who has been following my sites for some time. We were visiting beautiful Oregon and we had the chance to actually meet Carla and her husband Allen over dinner (best Italian food I have had in a very long time). One senses kinship from your computer screen but to have it confirmed in the flesh is a very special thing. My friendship with Carla would never have occurred without the  internet pixies sprinkling camaraderie and goodwill.

Such was the case last  evening as I was further blessed in having met another long time friend (who I had actually never heard speak) Andrew P.Wood ( his voice is lovely, he is southern boy after all).  Andrew has always offered such kind support to my work; so often I feel I work in a vacuum , shouting at the winds,yet Andrew has consistently listened. Its all rather stunning as I hold him in such esteem, he is an incredibly gifted photo journalist, capturing in amber all that is beautiful, broken and left to be forgotten, namely the architecture and landscape of the rural American South. His images have struck me time and again for their intelligence and poetry , he expresses empathy for the material world that I share as well. He imbues fallen houses, decrepit storefronts and broken fencing with meanings that convey our own frailties ; memento moris others would rather pass by. 

Last evening we actually met.  Andrew with his equally convivial husband Greg were in LA on business and we arranged to have them for dinner last night. It was an absolutely wonderful evening , Andrew came bearing a very beautiful print (above) of one his memento moris , how fortunate is that? Having never actually met one another there could have been awkwardness but there was not, instead there was the kinship that I had suspected from our brief exchanges.

There is magic out there, and its online.

I feel fortunate indeed.

Lg

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 Post Script: speaking of “selfies”, which are never kind to me, Andrew snapped one of us as I was fussing with dinner.

Goblin Market

I’ve been reading a fair amount of poetry later, mostly for class, but also revisiting  some old favorites; one being Christina Rossetti’s  pre-Raphaelite jewel, Goblin Market (Link Here).

This little graphite drawing was inspired by her wonderfully dark poem.

IMG_5739_2Goblin Market

2014

graphite on paper

8.5 by 11 inches

“Morning and evening
Maids heard the goblins cry:
Come buy our orchard fruits,
Come buy, come buy”

Yorick

I’ve mentioned I’m taking an English composition course which I am enjoying a great deal. Revisiting old “friends” such as Oedipus, but meeting new as well. I’ve never read Hamlet before, I’m familiar enough with the play, but I never sat down and actually read it. Good grief what a fantastic bit of work. I’m still spinning from it, terrible tragedy and yet zingers worthy of Monty Python. I’m going to need to re-read it just to feel more immersed in the drama.

This little print (quite small, the plate is only 4 by 6 inches) of Yorick was inspired by my enthusiasm . 

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Yorick

2014

relief print on paper

plate size, 4 by 6 inches

“Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? Your gambols? Your songs? Your flashes of merriment, that were wont to set the table on a roar? “(Hamlet, V.i)

Until next time, be well,

Lg

Oedipus Rex

I’m taking an English Composition course, I’m hoping to transfer to the Pennsylvania Academy of Fine Arts and I want to get the academic work out of the way. I gripe about CA but its junior colleges are wonderful and affordable. My last assignment was to write an essay on Sophocles’ play Oedipus the King; what a treat, if one can delight in such abject misery. I enjoy writing and re-reading the play brings me tremendous pleasure. At the end of the day, after researching  source material (the psychoanalyst W.R. Bion, the mythologist  Robert Graves) just  being steeped in the narrative; after such a day of writing and thinking it felt good to just make.

This little watercolor of  the young king beseeching the Delphic Oracle for insight is the result. 

IMG_5727Oedipus Rex

2014

watercolor on paper

5.5 by 8.5 inches

From Grave’s The Greek Myths 2:

“…Oedipus went to ask the Delphic Oracle what future lay in store for him. ‘Away from the shrine, wretch!’ the Pythoness cried in disgust. ‘You will kill your father and marry your mother!’ (105).

With that cheery thought may your day be bright.

Be well, Lg

Descent : fragment of a dream

I know it is boorish to go on about one’s dreamworld to anyone but your analyst, but sometimes a dream is so spectacular, it finds its way into my work. Such is the case with Descent.  In this recent dream I found myself descending from Heaven, and although I squirm with self consciousness in admitting this , I had seen God  (and Jesus) and love was the message from both.

So I am descending into the Night, not with regret in leaving Heaven, I’m too awestruck by the wonders below. I am with a silent companion who will remain with me until I land. Below, is a gorgeous city , clouded by fog , a rich ornate city chock-a-block with 18th and 19th century buildings.  

 I will not bore you with more details, I will leave them for my analyst ( my silent companion?).

But this is the painting.

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Descent

2014

watercolor, gouache and graphite on paper

12 by 23 inches

IMG_5724 detail

I haven’t  a great fascination in depicting architecture but I do have a great fascination in how architecture is depicted by the German Expressionist filmmakers , particularly F.W. Murnau. I had recently seen his Faust and David and I were both blown away by the opening scene.

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With that in mind, I rendered my dream city. In the process paying homage to my friend and inspiration Clive Hicks-Jenkins , who shares my love of Murnau and has developed his own  wonderful technique in depicting architecture.

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The dream was cinematic, long and exhausting, but inspirational.

Be well, Lg

Upcoming opening: XV Present Art

Two new relief prints were selected to be part of an upcoming group show, opening December 6th, 6-8 pm at the Couturier Gallery (link HERE) 166 N. La Brea Ave, Los Angeles.

Would love to see my friends there.

the show runs from December 6th 32104 through to January 3rd 2015. 

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These two prints were selected:

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Blue Krampus!

The Great War God, Huitzilopchtli
The Great War God, Huitzilopchtli

The Great War God, Huitzilopochtli

Thanking J at Couturier for thinking of me once again!

Lg

Krampus Fever

My friend Ken recently gave me a few 19th c. “scraps”,  once popular for Victorian keepsake albums. Usually they are gooey eyed children holding posies but Ken knows my taste and gave me Krampus ephemera. I was delighted and inspired. The following is a sampling of what I have been up to.

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 Blue Krampus!

2014

four plate relief plate on paper

total dimensions 9 by 12″

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Blue Krampus II!

same as above.

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Krampus!

artist’s proof

I’m enclosing the wonderful little scraps Ken gave to me, my studio is awash with happy blue devils. I couldn’t be more pleased. Thanks Ken!

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Until next time, be well,

Lg

Death & the Maiden, in the beginning

I just pulled a proof of my newest print Death & the Maiden. I’m going to continue exploring with multiple plates, but for now, I’m pleased.

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Artist’s proof

Death & the Maiden

2014

 relief print;plate 8 by 10, print 9 by 12

The print is based upon an oil painting I did some time back.

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Death & the Maiden

2011

oil on canvas

I will get to work on adding other plates, but for now…

be well,

Lg