Category: Renderings

In the Flesh

 

 

My life drawing course with the excellent Jim Morphesis  (link to his work: http://www.huffingtonpost.com/john-seed/jim-morphesis-the-wounds_b_7014096.html )

sadly ended Tuesday. I will miss the experience of having an actual body, in the flesh, in front of me. I benefit keenly, even if the results aren’t immediately apparent, from a live model and consistent and structured practice.

That said, in the stacks  of drawings made in this class , very few were worth much more than parakeet liner. And from the rest, only bits and pieces satisfy me.

But one of the issues I am working on is abandoning this mad quest for perfection, I fail miserably each and every time.  So relinquishing the claims of my ego, I post  some of the drawings from Art 12A ; some from extended poses, some gesture drawings (gestural drawings drive me bonkers). 

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So now with class ended I will join other forums and study groups…plus I always have myself!

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Happy Saint Patrick’s Day ( a wee bit early)

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Given tomorrow is St.Patrick’s Day and that its celebration is a well loved childhood memory (my mother’s surname being Murphy after all) I wanted to post something to honor the saint who drove the serpents out of Ireland. I found glancing through past work , that although I am very fond of the saint, I’ve never drawn him before. I decided to remedy that error and set about putting together this rendering .

I hope he would be pleased.

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Blessed Saint Patrick

2016

graphite, colored pencil, pastel and mixed media on paper

18 by 24″

Last minute I snipped away one of my relief prints and added the harpy to the composition ; I’m pleased with the result.

I must have sensed on some level that the holiday was approaching as I have been listening to quite a bit of Irish folk music. A favorite is The Raggle Taggle Gypsy O , particularly as interpreted by the great countertenor Andreas Scholl. I thought I would include it into this post. Link below.

 

Temptation of St.Anthony of the Desert (a fellow and his pig)

 

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Just moments ago I finished up a drawing of the abbot of the desert St. Anthony. This well intentioned saint who sought to avoid worldliness and the corruption that follows only found himself in the thick of it. Anthony is my muse (as he was to Bosch, to symbolists such as Flaubert and to many  Surrealists), I turn to him time and again and have lost count as to how many works I have devoted to this early father of the Church . But one attribute of the anchorite that I particularly love is the company he keeps, pigs. The pig is found in many depictions of the hermit but this  is the first time I have worked one of my favorite beasties into the composition.  I’m sure there will be many more.

In this depiction I tried to incorporate,in a whimsical way, classical elements to depict worldliness ; not that I feel humanism is corrupt but classical sculpture can certainly raise one’s pulse.

 

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The Temptation of St. Anthony of the Desert (and his pig) 

2016 graphite and pastel on paper

18 by 24″ 

My love of pigs is personal, being a vegan I have a particular attachment to this highly intelligent and sensitive creature . David sponsored a pig for me this year as a Christmas present, her name is Sweet Tea and she is well tended to by the loving folks at Ironwood Pig Sanctuary. Although I wish she lived with us we can easily visit her in Tuscon AZ, we plan on visiting her at least every boxing day. This image is from the day we first met, as you can see she is quite adorable and friendly. It is delightful how pigs rush to you when you enter their compound, ever greedy for treats and attention.

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Sweet Tea

Like I mentioned Anthony is often depicted with a pig, this little gem of painting by Lelio Orsi (1511-87) is one of my favorites at the Getty, I search it out whenever I visit.

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On my last visit I noticed this wee little pig pawing at the anchorite’s robe as fervently as my pug Viola.

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As I mentioned I will be sure to return to Anthony time and again, my very sweet and very talented friend, the artist and musician Henry Kitchen offered to pose, sending along this funny photo. He is actually a perfect Anthony, right down to the hoodie.

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I’m sure to take him up on the offer very soon.

Until then, back to painting, good night.

Validation

After a dreary period of seemingly endless rejection letters from galleries and exhibitors, it is validating to have had the last few submissions accepted. Yesterday I received word that the Brand Library , for their annual Works on Paper exhibition (this is their 43rd year ) had accepted my Temptation of Saint Anthony in the Desert. It was particularly thrilling to read:

“Juror Kent Twitchell reviewed 890 submitted works, of which 70 were selected for the exhibition”.

Kent Twitchell is an icon here (and elsewhere)  known for his  photo-realistic monumental murals; I admire him a great deal, hence the validation. Funny things is he paints such spectacularly colossal, hyper realistic works and chose my teeny bit of fantasy. Catholic tastes I guess .

Temptation of St.Anthony of the Desert, 2015, acrylic on Yupo paper, 11 by 14"
Temptation of St.Anthony of the Desert, 2015, acrylic on Yupo paper, 11 by 14″

I have the happy task of framing this little painting, a pleasant break from the mad dash of setting up a new home, packing up an old, securing a new studio (about to sign the lease), and perhaps buying a car(YIKES), THEN fly out to Philadelphia for the six week critique course. I’m spinning about in space.

I think for the program at PAFA I am going to translate this drawing The Goblin Market into a much larger painting, size to be determined- essentially as big as I can ship back.

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The Goblin Market

When I arrive in Philadelphia, after a red eye flight, I am pretty much just jumping the deep end at PAFA  on Monday the 6th. I will post regularly from my phone.

To be continued…LG

 

Lavinia Seeks Solace at the Court of Coatlicue

The following painting is an experiment on several levels.  I’m experimenting with a new paper from Arches called Huile oil paper which is designed specifically for oil painting. Anyone who paints in oil knows that working on paper is frowned upon as it is not archival. Secondly I am experimenting with the Surrealist technique of automatic drawing and painting. The following painting is the result.

IMG_6231 Lavinia Seeks Solace at the Court of Coatlique

2015

oil on Arches Huile paper

15 by 22 inches

It is an absurd image composed of seemingly random characters, but there is a free- associative logic to it all…at least from my perspective. Lavinia (from Shakespeare’s  Titus Andronicus) in a dream state, wanders into the court of the Aztec goddess Coatlique, She of the Skirt of Serpents … and a pretty fantastic necklace composed of skulls, hearts and most importantly, hands! A bit of gallows humor perhaps, but I didn’t think it out too much. I allowed unconscious  instinct to direct the composition.  The following is Coatlique taken from our trip to Mexico City.

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One of the things I really enjoy about taking classes outside of the discipline of art is the opportunity to free my mind and doodle with abandon. My judgmental brain is turned off and my hand flows across the page. They are not great drawings by any means, often ridiculous; but I find in them a nonsensical spontaneity that  I value and want to integrate into my work more often.

The following are samples taken from an English Composition C course that I recently finished.

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This might be my last post for awhile until I leave for my Philadelphia critique course at the Pennsylvania Academy of Fine Arts. I have obligations I need to tend to before I leave on Independence Day. I’m nervous and excited, I’ve never been away from David (or my dear dogs)for such a long stretch; but to have time just for my work is an amazing opportunity.

Until next time, be well, LG

The Castration of Uranus

I  recently stumbled upon a 14th c. image of the Castration of Uranus . It was of course disturbing , but also fascinating. I felt compelled to add my voice to the conversation and the following drawing is the result. 

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 The Castration of Uranus

2015

graphite and colored pencil on paper

11 by 14″

The story, in case forgotten, is that the old god Uranus had fathered the Titans (and the Cyclops) with the Earth Mother Gaia.  As is so often the case the father became wary of the offspring and buries those born of his seed deep within Tartarus -so deep in fact, “it would take a falling anvil nine days to reach the bottom”.

Gaia prompts her Titan son Cronus to smite his father, arming him with the familiar scythe of Time. Unbeknownst to me, but fortunate coincidence, Cronus, according to the mythologist Robert Graves, “grasp[ed] his genitals with the left hand (which has ever since been the hand off ill-omen”. This merciless act produced the vengeful Furies and from the severed penis, when thrown into the whirling ocean, the eternal Aphrodite.

The story is stunning in its primal psychological symbolism; incomprehensible yet visceral. At least I felt so, hence this drawing.

The following is the  wonderful illumination that inspired my own, I am sorry to say I do not know its source, any information pertaining to it most welcome.

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That said, this image is a bit confusing to me. When first stumbled upon, source being unremembered, it was identified as Saturn Devouring his Son (ca.1501). I think that is off, Cronus/Saturn would eventually  devours his  Olympian young  (as magnificently represented by Rubens), perhaps the artist was confused as I haven’t stumbled upon Zeus/Jupiter castrating Cronus/Saturn. I believe this image simply illustrates Cronus castrating Uranus with the prophetic image of Aphrodite in the background. The bloody child-devouring a cinematic bit of excess to gets one’s attention-if severed genitals weren’t enough. It is perplexing that the castrated figure is wielding the Cronus’ scythe of Time. Whatever, its a grand image. 

First day back to the studio, now I will try painting , I feel quite rusty…and anxious.Will keep my progress posted, until then, be well, LG

Sometimes you just want to draw…prepping for 2014

I have for the last several months  been ruminating upon a large canvas to tackle. I want a big scene, along the lines of my beloved Pousssin, but as usual tackling a Meso/metaphysical theme. Old gods, Gnosis, toppled usurping false gods all play a part in this newly conceived project. After notebooks of doodled ideas , oil sketches,elevated renderings and readings, I have begun fleshing out details.

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A familiar cast of characters, including from right a little Teotihuacan fellow, Tlaloc with lightening/storm cloud staff, Quetzalcoatl descending from above, She of the Serpent Skirt,Coatlicue, and the great and mighty war god Huitzilopochtli clutching his mother’s serpentine skirt.

A bit of the process for tackling a large (or small) project.

 Spontaneous sketching, confirming ideas.

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More sketches, some in color,

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Elevation renderings to help determine composition,

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and now, working out details, what stays , what goes, more color compositional sketches…I’m daunted already.Looking forward to seeing how it professes, wish me luck.

Take care, Lg

The Minotaur Revisited…once again

My blogging friend Phil Cooper recently posted a wonderful sculpture by Michael Ayrton depicting the Minotaur. Although Ayrton seems little known here in the States, he is a master at depicting the pathos of the myth (follow this link for images); follow this link for Phil’s wonderful work .

The presence of Phils’s work and that of Ayrton come at a moment when I am preparing to write a final short paper comparing Minotaur depictions, recalling  ancient depictions,Ayrton, Blake, Picasso, Remedios Varo and others, I was inspired once again to try to depict the complexities of the unfortunate beast. The following is a link of previous attempts, here.

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Theseus and the Minotaur


colored pencils, charcoal

I imagine I will continue to find inspiration from the Minotaur time and again. Each time I feel I am closer, but I’m still floundering

I’m going to close with a video clip of Jorge Luis Borges’ deeply moving SHORT story The House of Asterion. It is a-maze-ing!

Until next time, take care, LG

 

A Valentine for David

I won’t see David until quite late, after St.Valentine’s Day, so I  thought I would post this online so he would  receive it on the train ride down from LA.

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This drawing is part of my ongoing infatuation with Achilles and Patroclus, something I share with David.

My inspiration for this sketch is a wall fragment from Pompeii, that of Mars and Venus. As a young boy I felt it to be the sexiest image imaginable; now at midlife I have refashioned the image in a bit of homo-revisionism. I still find the hand gesture of Venus(Patroclus) to be deeply touching and tender.

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Just one final image, a very contemporary Achilles and Patroclus, again very tender and sweet.

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Wishing all, but most especially David, a very happy  St.Valentine’s Day.

LG