In Memoriam

2nd of November 2012

Apparently this tribute post to my friend Loreen has caused considerable angst to folks that also have called her friend.

If in my own sadness I said anything that has caused hurt I regret that fact.

I received a comment from one individual, quite mean spirited and untrue, that gave me an indication of the breadth and impact this modest studio blog possesses in this age of hyper connection.

My intention was a testament to my friend, her kindness, her quirkiness and her compassion.

I have combed through my post searching for anything that might be misconstrued.

What I will not do is erase the memory of my friendship with this exceptional woman.

That belongs to me.

If for some reason (even after scrupulous editing ) I have somehow missed an untruth I will consider reasonable requests for further editing.

Please remember to maintain a courteous tone when making comments.

Thanking you in advance,

respectfully,

Leonard Greco

Loreen prior to a charity costume event, April 2012

I lost a friend today, she died suddenly, I hope without too much agony.

In April she was  gleefully attending to her duties as a Palm Beach hostess;  by August cancer had spread through her little bird like body.

My heart is heavy thinking of my  friend suffering .

Her name was Loreen Farish her maiden name was long , complicated  and Teutonic ,”B” something, I’m ashamed to say I do not know it. Nonetheless she was a wonderful friend, a joy to play with, laugh with and share a cocktail with.

Born into an old Philadelphia family, rich in lineage; she fell in love with Judge Joe.  Equally old family, southern charm, grand old plantation sort of background, he had love to spare . They were an odd-ball pair, he a bit older, both vivacious and social. He built the biggest house on the block, dwarfing Tiger Wood’s pile.

Restraint wasn’t their style, they lived lavishly yet in keeping with good old Waspy sensibilities (if not  orthodox taste), frugally popping into the Dollar store almost every day -” A hundred bucks buys a lot!”one of Loreen’s familiar refrains.

I met Loreen as a client, initially it was difficult, she wanted mermaids but insisted upon Disney characters; fortunately she liked me and I reminded her of fairy tales and she warmed up to softer imaginings. I worked for her for years, often camping out in Palm Beach, she would golf, go to Walmart for inexpensive fabric (she made her own clothing out of some  of the most audacious patterns I have ever seen), she would play and fuss over  her ridiculously spoiled cat Maya but most especially fun, she would chat with me.  

Trips down Memory Lane of “fabulous” parties and costumes, tickled by excess,she would trot out her jewels (Harry Winston, the NY jeweler was a family friend and crafted much of her collection) modeling them in her  sweetly silly pajamas.

Every day was show time, no outfit was complete if it wasn’t thoroughly “themed”, jungle print costume required amber pineapples tipped with jade fronds and panther bangles ;summertime fare featured funny crab pins articulated in such a way that the ruby arms pinched you amusingly, pearled starfishes sat on her breast; a trip to the race track suitably and campily equestrienne.

Loreen loved camp and adored skewering “good taste”, nothing made her happier than pissing off her  somewhat priggish decorator (my boss) with her outrageous glitzy taste.

I loved her for all these reasons, her “garden” fashioned from dollar store blooms; her silly cards on “our” holidays: St. Pat’s, Valentines Day and most especially Halloween. She didn’t manage to live to see Halloween this year, I sent her a card as usual, but I doubt she was well enough to chuckle at it. That hurts.

When told her cancer had spread essentially everywhere, chemotherapy wasn’t helping at all ;  her response was typical: “Oh shit!”.

Such a statement, typical of her, would have been more effective with a tall glass of gin in one hand and a cigarette in another , but by that time… But Loreen was right, “Oh Shit!”.

I miss you my friend.

The following are snippets of the work I did for her (around 2004).

I confess they are not really something I am particularly proud of : but she loved them, that makes me proud. I haven’t had many “fans” over the years, but Loreen was my most faithful.

Today I lost a fan and a friend, and tonight my world is a bit lonelier.

decorative panel, dining room

Red, purple, gold (real gold) and white (as in marble), were the only colors permitted.  I love a design challenge and this was a doozy.

dining room featured in some vulgar magazine.
detail, we both love orchids, who doesn’t?
Detail with what she called her “Santa” thrones, gold leaf and scarlet ostrich, difficult to appreciate, but God love her she thought they were “fabulous”. I guess they are.

My favorite room was the Breakfast Room, the Atlantic lapping at the door, and  one of those ostentatious mega fishtanks front and center. But Loreen and I had a ritual at day’s end, drink martinis and feed “Joe’s” fish. She was squeamish about the live fish food so  she thought her vegetarian friend should have the honor. Suitably lubricated we would giggle and fall in love with the finned fellows. When one died (they were always dying) we were heartbroken. We decorated the room with a grotto theme, it is far more elaborate than what I have posted, but enough is enough.

breakfast room, detail with lobster

over-door decoration, breakfast room
another over-door decoration, featuring element from the Farish crest.

Joe was big game hunter ( I know disturbing as all Hell). He had tons of  musty dead animals all over the place. Loreen was the least PC person I knew, she delighted in decorating the stuffed horrors with diamonds. It was awful, but her delight tickled me in spite of myself. This poorly painted cat is taken “from death” , a study of a ratty moth eaten feline, one of a pair.

Game Room decoration, pun intended

As I mentioned Loreen wasn’t at all politically correct, quite the opposite. Her husband didn’t hold  strict politically correct views either. When decorating the house powder room a Blackamoor was requested.  Blackamoors are considered by many to be a “no-no”, viewed as insensitive concerning racial identity. There is a decorative tradition for this sort of thing, that’s what I told myself , for I  also love Blackamoors.

 

decorative panel, Blackamoor with martini.

I cringe a bit at this image, poorly rendered, harsh coloring,distasteful; but it pleased Loreen immensely .

The following is a page from the aforementioned “shelter” magazine. The “slipper” chair was equally treasured, you see what company my poor Blackamoor keeps.

Loreen was the last of her line, the house will be sold.

It is an ostentatious pile, 20-30 thousand square feet, I can’t keep track of that sort of thing. But it will most likely be torn down, my frivolous decorations  with it: Jack climbing his Beanstalk as you ascend the elevator; the pretty golden mermaids in the maid’s bathroom; Maya’s feline portrait a la Turque over the bidet, all will go. That’s the price you pay with decorative work, it’s ephemeral. 

I’m not saddened by the loss of work I am not particularly proud of. I am saddened at the loss of the moment, funny hours,  a bit blottoed on martinis giggling with my friend. Silly funny memories from a  delightfully silly, sometimes terribly sad woman I was very pleased to call my friend.

the much loved/reviled slipper chair.

Tomorrow is Halloween , Happy Halloween dear Loreen.

You were a complicated, perplexing , sweet and thoughtful friend.

I miss you, looking at these images reminds me once again how fleeting all of this is, the good and the bad.

Take care friends,

Happy Spookiness!

LG

From Yesterday’s Sketchbook

I am on a Minotaur jag, conversations with Clive have me thinking about the theme. I want to explore possible emotional themes concerning the unfortunate beastie while at the same time avoiding the Beauty and the Beast trope.  I have a lot of territory to explore.

Theseus and the Minotaur

Until next time,

take care,

LG

A Blast from the Past

 

What seems like many moons ago, I painted the dressing room ceiling of my friend Eleanor. She posted this image on her Facebook page, bringing back very fond memories.

 Eleanor has a fantastic collection of jewels and fashion, what would be more suitable to guard her treasures than a fierce dragon.

The room and the painted decoration were a nod to Brighton Pavilion, a shared passion of the client and of the painter.

Brighton Dragon, Eleanor’s dressing room

Until next time,

take care,

LG

Theseus and the Minotaur

I was assigned by my printmaking instructor to put together a full value sketch for our next assignment, mono-printing.

No problem, delighted to oblige.

What I find  surprising is how most of the class does not share my enthusiasm for this part of the process.

 I-phones in hand they download an image and create from such a micro source- it boggles my old weary eyes.  

I overcompensate at times and this sketch became a finished drawing.

 I’m happy about that, I have wanted to play with the Minotaur theme for quite some time.  Picasso an inspiration for subject matter if not aesthetic approach, Clive’s gorgeous horse-men also prompted me along , but most especially Blake’s incredible illustration for Dante’s Inferno.

 I love the half beast-half man being truly half beast and not just sporting a bull mask (although Picasso’s Minotaurs cannot be beat for pure erotic appeal).

detail of Theseus and the Minotaur

Theseus, described as young and handsome, was of course a delight to depict-thank goodness there aren’t many plain Greek heroes.

Theseus and the Minotaur
pencil on paper
18 by 24 inches

Detail of Theseus.

detail of the hero prince

The following was a beautiful inspiration for the awful Minotaur, an inspiration I failed to follow.

(It can be found in the Museum of Athens. It is incredible, I would love to visit the mad beast.)

When researching the Minotaur myth I found few examples of the “centaur” version as depicted so beautifully by Blake.

Although there is little stylistic similarities in my drawing to the Blake, I think with mono-printing I may be able to capture Blake’s well- studied spontaneity.  I will post the results.

I was delighted and spooked when the Minotaur theme entered popular culture. On one of our favorite television shows, Dexter , last evening’s episode featured a terrible  murderous villain obsessed with the myth. It was a truly frightening. 

Well  ,back to work,

until next time,

LG

Gligamesh and Enkidu and other beefy fellows.

 

Printmaking is progressing onwards, seventh week already; received  my first grade for  the etching/aquatint segment of course.  I’m pleased with the grade.

I’m less pleased with my actual mastery of this tricky medium, trying to be patient and enjoy the discoveries.

It would be lovely if I were a relaxed, easy going southern Californian like  my fellow students, everything that is produced is “G-r-e-a-t!!!!”.

Their enthusiasm is exhausting.

Anyway, the following  print was designed to showcase my understanding of the various techniques taught within the last few weeks.

I upped the ante a bit by choosing a larger plate (9 by 12) and focusing on drypoint which everyone in class including the teacher seems to shun; I love the technique. The techniques are a soft ground transfer, with drypoint and aquatint ; the aquatint failed multiple times to produce sufficiently dark value- the plate became warped and the rosin would not settle properly. I compensated with drypoint.

The Vanquished Humbaba
etching
9 x12
1/3

The above image was printed in a particularly pretty blue, I also ran a run in graphite, pretty color, but a bit weak.

graphite run

Actually, I rather like the color.

My first proof was just the soft ground etching, which I liked, reminded me of a very primitive Flaxman print.

first proof

We initially begin the project with a value drawing.

Initial preparatory drawing for the “Vanquished Humbaba”

My inspiration for the print was from a spectacular Syrian bas relief of the 10th or 9th century; I’m crazy for its archaic quality and its humor.

Syrian basalt relief

Gilgamesh and Enkidu Slaying Humbaba

basalt relief, from palace of King Kapara at Toll Halaf, Syria.

10th-9th cent. B.C.

When I began this class I also began a large painting, 50 by 60 inches. Taking Clive’s advice I decided to move the action forward (the Syrian relief an inspiration). I made use of my Hero Twin maquettes and have been busy painting since.  I am nearing completion.

Until I post the final image I thought I would tease with my preparatory sketch.

Preparatory sketch for the “Resurrection of the Father” with maquettes of the Hero Twins.

Well I must get on with my day, an evening class but first a studio day to work out a plan for for mono prints, our next adventure!

 Take care, LG